OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “"Goose Preening its Tail," Folio from the Bellini Album” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-27 03:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Album of Prints: Ornament Designs by Cuvilliés père
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1695–1768
Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Woman's Torso
Kenyon Cox, American, 1856–1919 · 1883
"Goose Preening its Tail," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page
Kenyon Cox, American, 1856–1919 · 1875
"Mercury," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page
Kenyon Cox, American, 1856–1919 · 1875
"Devotional Scene," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Cows from Nature
Kenyon Cox, American, 1856–1919 · 1875
"Seven Devotional Scenes," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Horse's Head
Kenyon Cox, American, 1856–1919 · 1875
"Virgin and Child," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Portrait of "El Primo," After Velázquez
Kenyon Cox, American, 1856–1919 · 1883
"Six Devotional Scenes," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Historic Portrait No. 11 (Self-Portrait)
Kenyon Cox, American, 1856–1919 · 1875
"Six Devotional Subjects," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Self-Portrait
Kenyon Cox, American, 1856–1919 · 1875
"The Annunciation," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Female Nude
Kenyon Cox, American, 1856–1919 · 1877–78
"Yusuf Freed from the Well," Folio from the Bellini Album
Artist not stated in the record · late 16th century
Sketchbook Page: Iris
Kenyon Cox, American, 1856–1919 · 1874
"St. Michael, the Archangel," Folio from the Bellini Album
Artist not stated in the record · ca. 1600
Sketchbook Page: Letter about Refusal from Salon
Kenyon Cox, American, 1856–1919 · 1883
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 221 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1358923 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 03:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.