OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “12c S.S. Adriatic card plate proof” — 64 records examined, 9 dropped by the rights gate.

Archives queried 2026-08-31 23:18 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Mechanical table, by Jean-François Oeben

Mechanical table

Jean-François Oeben · ca. 1761–63

Public domainThe Met
12c S.S. Adriatic card plate proof

12c S.S. Adriatic card plate proof

Artist not stated in the record · 1893

CC0 (public-domain equivalent)Smithsonian
Washstand (athénienne or lavabo), by Charles Percier

Washstand (athénienne or lavabo)

Charles Percier · 1800–1814

Public domainThe Met
12c S.S. Adriatic plate proof single, by National Bank Note Company

12c S.S. Adriatic plate proof single

National Bank Note Company · 1869

CC0 (public-domain equivalent)Smithsonian
Casket with Erotes and Animals

Casket with Erotes and Animals

Artist not stated in the record · 12th century

Public domainThe Met
12c S.S. Adriatic plate proof single, by National Bank Note Company

12c S.S. Adriatic plate proof single

National Bank Note Company · 1869

CC0 (public-domain equivalent)Smithsonian
J.A.D. Ingres, calling card, by Anonymous

J.A.D. Ingres, calling card

Anonymous · ca. 1824–67

Public domainThe Met
12c S.S. Adriatic re-issue single, by National Bank Note Company

12c S.S. Adriatic re-issue single

National Bank Note Company · 1875

CC0 (public-domain equivalent)Smithsonian
James McNeill Whistler, calling card, by Anonymous

James McNeill Whistler, calling card

Anonymous · ca. 1881–1903

Public domainThe Met
12c S.S. Adriatic G Grill single, by National Bank Note Company

12c S.S. Adriatic G Grill single

National Bank Note Company · 1869

CC0 (public-domain equivalent)Smithsonian
George Cruikshank, calling card, by Anonymous

George Cruikshank, calling card

Anonymous · ca. 1830–78

Public domainThe Met
12c S.S. Adriatic re-issue single, by National Bank Note Company

12c S.S. Adriatic re-issue single

National Bank Note Company · 1875

CC0 (public-domain equivalent)Smithsonian
Armor

Armor

Artist not stated in the record · ca. 1400–1450 and later

Public domainThe Met
12c S.S. Arawa die proof, by American Bank Note Company

12c S.S. Arawa die proof

American Bank Note Company · 1894

CC0 (public-domain equivalent)Smithsonian
Trade Card for C. F. Partington, Printer, by John Shury

Trade Card for C. F. Partington, Printer

John Shury · 1832

Public domainThe Met
12c Post Office Department card plate proof

12c Post Office Department card plate proof

Artist not stated in the record · 1879-1894

CC0 (public-domain equivalent)Smithsonian
Brigandine Armor

Brigandine Armor

Artist not stated in the record · ca. 1400 and later

Public domainThe Met
12c Henry Clay Justice Department card plate proof

12c Henry Clay Justice Department card plate proof

Artist not stated in the record · 1879-1894

CC0 (public-domain equivalent)Smithsonian
Trade Card for William Darling, Engraver, by Anonymous, British, 18th century

Trade Card for William Darling, Engraver

Anonymous, British, 18th century · 18th century

Public domainThe Met
12c Henry Clay War Department card plate proof

12c Henry Clay War Department card plate proof

Artist not stated in the record · 1879-1894

CC0 (public-domain equivalent)Smithsonian
Trade Card for Josh Cross, Seal and Copper Plate Engraver, by Anonymous, British, 19th century

Trade Card for Josh Cross, Seal and Copper Plate Engraver

Anonymous, British, 19th century · 19th century

Public domainThe Met
12c Henry Clay Treasury Department card plate proof

12c Henry Clay Treasury Department card plate proof

Artist not stated in the record · 1879-1894

CC0 (public-domain equivalent)Smithsonian
Trade Card for Croydon, Printer, Bookseller, and Umbrella Maker, by T. Rickard

Trade Card for Croydon, Printer, Bookseller, and Umbrella Maker

T. Rickard · 19th century

Public domainThe Met
12c Henry Clay State Department card plate proof

12c Henry Clay State Department card plate proof

Artist not stated in the record · 1879-1894

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 77 matched · 24 examined · 9 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 531632 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-31 23:18 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.