OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “A female immortal on a porcine animal” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-08-28 17:49 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Kneeling female figure
Mexica artist(s) · 1325–1521 CE
A female immortal on a porcine animal
Artist not stated in the record · 1368-1644
Merry Company on a Terrace
Jan Steen · ca. 1670
Tapestry: a Daoist female Immortal and attendant under a pine
Artist not stated in the record · 1368-1644
Statue of Dionysos leaning on a female figure ("Hope Dionysos")
Pacetti, Vincenzo · 27 BCE–68 CE
Female immortal with a basket
Artist not stated in the record · 1575-1725
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500
Standing figure of a female Immortal
Formerly attributed to Zhang Mei (active early-mid 10th century) · 16th-17th century
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi · ca. 1440
An immortal and a deer looking at a dragon overhead
Tuan Shigen (mid 18th century) · 1751
Pair of andirons
Pere Jean-Antoine Ducerceau · late 16th–early 17th century
Sampler
Artist not stated in the record · 1762
Lion (one of a pair)
Johann Gottlieb Kirchner · ca. 1732
A Medal of Napoleon Bonaparte as President of the Italian Republic, verso; Hebe Gives Immortality to Hercules's Charioteer
Felice Giani, Italian, 1758–1823 · 1802–04
Spring in the guise of Flora (one of a pair)
Pietro Bernini · 1616–17
Night Thoughts on Life, Death, and Immortality
Artist not stated in the record
Seated female
Artist not stated in the record · ca. late 3rd–early 2nd millennium BCE
Design for Temple of Justice or Temple of Immortality
Jean-Charles Delafosse, French, 1734 – 1789 · ca. 1765
Eyema byeri (reliquary guardian figure)
Okak-Fang artist · 19th century
Textile
Artist not stated in the record · ca. 1785
Furniture support: female sphinx with Hathor-style curls
Artist not stated in the record · ca. 18th century BCE
Bringing a lute to an immortal's pavilion 攜琴仙觀圖
Formerly attributed to Guo Zhongshu (傳)郭忠恕 (910-977) · 14th century
Female figure
Ìgbèsànmwà (ivory- and wood- carving guild) artists · 18th century
The Peach Festival of the Queen Mother of the West
Formerly attributed to Fang Chunnian (ca. 1225-1264) · 17th-18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 470 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3422235 matched · 40 examined · 17 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 17:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.