Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 13 shown for “Achille Martinet” — 41 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-26 20:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tintoretto at His Daughter's Deathbed
Achille Martinet · after 1843

Salon Interior with Gabriel d'Arjuzon Playing the Violin and Pascalie Hosten, Comtess d'Arjuzon, Playing Guitar
Artist not stated in the record · 1810–20

Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, Italy
Felice Giani, Italian, 1758–1823 · 1802–05

"Achille reconnu par Ulysse"
Favre Petitpierre, France, 1802–1818 · ca. 1810

Priam in the Tent of Achilles
Felice Giani, Italian, 1758–1823 · ca. 1790

Pierre Achilles Rivery
William Bache, 22 Dec 1771 - 9 Jul 1845 · 1804

Title Page of "Histoire militaire de Flandre depuis l'Anée 1690, jusqu'en 1694 inclusivement"
I. Oger, French, active 18th c. · 1756

Achille Rivard
William Bache, 22 Dec 1771 - 9 Jul 1845 · c. 1803-04

Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza
Felice Giani, Italian, 1758–1823 · 1802–05

Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, Faenza
Felice Giani, Italian, 1758–1823 · 1802–05

Achilles Drags the Body of Hector
Felice Giani, Italian, 1758–1823 · ca. 1790

Achilles Yields Briseis
Felice Giani, Italian, 1758–1823 · ca. 1790
Senecio tovari Cabrera
Artist not stated in the record
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1 matched · 1 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.1 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 372 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 20:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.