OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 16 shown for “Alessandro Turchi” — 44 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-26 18:15 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Judgment of Paris
Alessandro Turchi · ca. 1640
Drawing
Alessandro Tiarini, Italian, born Bologna, Italy 1577-died Bologna, Italy 1668
Allegory of the Immaculate Conception with the Fall of Man
Alessandro Turchi · 1578–1649
Ceiling Design, Alexander and the Family of Darius, the Clemency of Alexander, Sala di Alessandro, Palazzo Naldi, Faenza
Felice Giani, Italian, 1758–1823 · 1803
Marble portrait bust of Severus Alexander
Artist not stated in the record · ca. 230–235 CE
Sepulchral Monument of the Philosopher Count Alessandro Verri
Giuseppe Barberi, Italian, 1746–1809 · 1795–1809
The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni) · ca. 1406
Drawing
Alessandro Tiarini, Italian, born Bologna, Italy 1577-died Bologna, Italy 1668
The Holy Family with Saint Catherine; St. John the Baptist, after Guercino; St. George and the Dragon, After Alessandro Tiarini; Two Putti
Felice Giani, Italian, 1758–1823 · 1821–22
Elevation, Chapel and Alter of San Lorenzo Basilica
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660
Stage Design, Aqueduct
Romolo Achille Liverani, Italian, 1809 - 1872 · early 19th century
Head of a Nun
Artist not stated in the record · 1750–1800
Elevation of the Fonsechi Chapel in San Lorenzo
Giovanni Lorenzo Bernini, 1598 – 1680 · ca. 1660
Stage Design, Fortress
Artist not stated in the record · early 19th century
Lasthenia chrysostoma (Fisch. & C.A. Mey.) Greene
Artist not stated in the record · 7 Apr 1902
Stage Design, Burial Chamber of Persian Kings
Romolo Achille Liverani, Italian, 1809 - 1872 · 1828
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 4 matched · 4 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.4 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 146 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 18:15 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.