Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Alma Thomas's Watercolors” — 64 records examined, 17 dropped by the rights gate.
Archives queried 2026-09-01 21:09 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Album of Tournaments and Parades in Nuremberg
Artist not stated in the record · late 16th–mid-17th century

Alma Thomas's Watercolors
Artist not stated in the record · Mid-20th century

Thomas Jefferson
Charles L. Hogeboom · by 1884

Alma
Thomas Wilmer Dewing, born Boston, MA 1851-died New York City 1938 · ca. 1895-1900

The Connoisseur
Honoré Daumier · ca. 1860–65

Alma Thomas's Painting Tools
Artist not stated in the record · mid 20th Century

The Champion Single Sculls (Max Schmitt in a Single Scull)
Thomas Eakins · 1871
Catharus ustulatus almae
Artist not stated in the record · 19 Aug 1949

Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin · 1796–97
Catharus ustulatus almae
Artist not stated in the record · 4 Sep 1948

The Dancing Lesson
Thomas Eakins · 1878
Catharus ustulatus almae
Artist not stated in the record · 3 Jul 1948

Krishna and Balarama depart Vrindavan
Becharam Das Dutta · dated equivalent to 1856
Catharus ustulatus almae
Artist not stated in the record · 21 Jul 1949

Angel of the Revelation (Book of Revelation, chapter 10)
William Blake · ca. 1803–5

The Lake of Zug
Joseph Mallord William Turner · 1843
Catharus ustulatus almae
Artist not stated in the record · 22 Aug 1949

Still-Life with a Watermelon and Pomegranates
Paul Cézanne · 1900–1906

Lady Lilith
Dante Gabriel Rossetti · 1867

Portrait of a Lady
Laura Wheeler Waring, born Hartford, CT 1887-died Philadelphia, PA 1948 · 1947

Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi) · ca. 1532–35

Catharus ustulatus almae
Artist not stated in the record · 2 May 1937
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 666 matched · 24 examined · 7 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 131649 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 21:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.