OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Altar Frontal with Man of Sorrows and Saints” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-08-27 15:38 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Altar Frontal with Man of Sorrows and Saints
Artist not stated in the record · ca. 1465
Altar frontal
Artist not stated in the record · early–mid-19th century
Altar Frontal
Artist not stated in the record · ca. 1225
Santa Teresia
Artist not stated in the record · late 17th century
Altar Frontal
Artist not stated in the record · late 14th century
Altar frontal
Artist not stated in the record · 17th century
The Crucifixion
Master of the Berswordt Altar · ca. 1400
Altar frontal
Artist not stated in the record · 1700–1750
The Flagellation
Master of the Berswordt Altar · ca. 1400
Ornament with the Man of Sorrows, Mary and John
Daniel Hopfer, German, 1470 - 1536 · ca. 1520
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Altar frontal
Artist not stated in the record · 18th century
Man of Sorrows
Artist not stated in the record · ca. 1500
Altar frontal
Artist not stated in the record · 16th century
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley · ca. 1514–15
Altar frontal
Artist not stated in the record · 16th–17th century
Saint Anthony the Abbot in the Wilderness
Sano di Pietro (Ansano di Pietro di Mencio) · ca. 1440
Altar frontal
Artist not stated in the record · 18th century
Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi) · ca. 1504
Altar frontal
Artist not stated in the record · late 17th century
The Man of Sorrows with Two Angels
Francesco di Giorgio Martini · ca. 1470
Sampler
Artist not stated in the record · 1810
Scenes from the Life of Saint Augustine of Hippo
Master of Saint Augustine · ca. 1490
Project for the high altar in San Salvatore in Campo in Rome
Giuseppe Subleyras, Italian, 1745 – 1819 · ca. 1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 189 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3151231 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 15:38 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.