OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “Andrea Sacchi” — 64 records examined, 31 dropped by the rights gate.
Archives queried 2026-08-26 16:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi · 1641
Design for Allegory of Divine Wisdom, Reception Room, Palazzo Barberini, Rome, Italy
Andrea Sacchi, Italian, 1599 – 1661 · 1629–1631
The Drunkenness of Noah
Andrea Sacchi · 1599–1661
Martyrdom of a Saint
Artist not stated in the record · 17th century
Portrait of Cardinal Antonio Barberini the Younger
Andrea Sacchi · 1599–1661
Portrait of the Caligrapher Andreas Gulden
Artist not stated in the record · 1653
Portrait of a Man: Francesco Albani ?
Andrea Sacchi · 1599–1661
Sobralia andreae
Artist not stated in the record
Abraham Dismissing Hagar
Andrea Sacchi · 1599–1661
Sobralia andreae
Artist not stated in the record
Holy Family
Andrea Sacchi · 1599–1661
Andropogon schlumbergeri var. andreae Hack. in A. DC.
Artist not stated in the record
Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso)
Andrea Sacchi · 1641
A Carthusian Saint Visiting the Plague Stricken
Andrea Sacchi · 1599–1661
Design for the Base of the Monument to Andrea Doria
Baccio Bandinelli, Italian, 1488-1560 · mid-1530s
Two Warriors, One Standing, The Other Clinging to a Tree
Andrea Sacchi · 1599–1661
Architecture seen from below, design for plate 55 in Andrea Pozzo's "Perspectiva pictorum et architectorum"
Andrea Pozzo, Italian, 1642–1709 · 1685–1700
The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael
Charles Simonneau · 1700–28
Adam kneels in grief beside the body of Abel, while Cain flees in the background
Frédéric Horthemels · ca. 1729
Christ fallen to the ground under the weight of the cross, with two men assisting and Saint Veronica kneeling with the veil at left
Simon de la Vallée · ca. 1729
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 31 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2649 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-08-26 16:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.