OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Andrew Johnson cover” — 64 records examined, 12 dropped by the rights gate.
Archives queried 2026-09-06 17:09 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Cover
Artist not stated in the record · 17th century
Andrew Johnson cover
Artist not stated in the record · 1865-1869
Cover
Artist not stated in the record · 1837–38
The Veto Galop
Bennett, Donaldson & Elmes Lithography Company, 1865 - 1872 · c. 1866
Cover
Artist not stated in the record · 19th century
Andrew Johnson
Thomas Nast, 27 Sep 1840 - 7 Dec 1902 · 1873
Cover
Artist not stated in the record · 16th century
Andrew Johnson
Alexander Gardner, 17 Oct 1821 - 10 Dec 1882 · 1865
Cover
Artist not stated in the record · 19th century
Andrew Johnson
Alexander Gardner, 17 Oct 1821 - 10 Dec 1882 · 1865
Cover
Artist not stated in the record · 17th–18th century
Andrew Johnson
Ehrgott & Forbriger Lithography Company, active 1856 - 1869 · c. 1862
Cover
Artist not stated in the record · first half 17th century
Andrew Johnson
Irwin & Sartain · 1865
Scene of Fishing and Fowling
Artist not stated in the record · ca. 1347–1330 BCE
Andrew Johnson
Jacques Reich, 10 Aug 1852 - 8 Jul 1923 · c. 1899-1920
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455
Andrew Johnson
Peter Kramer, 1823 - 1907 · c. 1865
Token of Andrew Johnson
Artist not stated in the record · ca. 1876
Andrew Johnson
Zorn & Company, active 1860 - 1870? · c. 1865-69
Book cover for Pentateuch and Five Scrolls
Tobias Schier · silver: 1721–ca. 1727; book: 1699–1701 and 1700–1701
Andrew Johnson
John Sartain, 24 Oct 1808 - 25 Oct 1897 · 1865
Panel with Byzantine Ivory Carving of the Crucifixion
Artist not stated in the record · 10th century (ivory); late 11th century (setting)
Andrew Johnson
Unidentified Artist · c. 1855
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 569 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 82227 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 17:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.