OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Anne Claude Philippe de Tubières, comte de Caylus” — 64 records examined, 2 dropped by the rights gate.

Archives queried 2026-08-26 20:22 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni, by Anne Claude Philippe de Tubières, comte de Caylus

Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni

Anne Claude Philippe de Tubières, comte de Caylus · ca. 1729–40

Public domainThe Met
DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT, by Claude Gillot, French, 1673–1722

DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT

Claude Gillot, French, 1673–1722 · 1728–50

CC0 (public-domain equivalent)Smithsonian
Alexander the Great freeing Timoclea, from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat", by Anne Claude Philippe de Tubières, comte de Caylus

Alexander the Great freeing Timoclea, from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat"

Anne Claude Philippe de Tubières, comte de Caylus · ca. 1729–40

Public domainThe Met
DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT, by Claude Gillot, French, 1673–1722

DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT

Claude Gillot, French, 1673–1722 · 1728–50

CC0 (public-domain equivalent)Smithsonian
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri, by Anne Claude Philippe de Tubières, comte de Caylus

The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri

Anne Claude Philippe de Tubières, comte de Caylus · ca. 1729

Public domainThe Met
DESSUS DE CLAVECIN GRAVÉ D’APRÉS LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT, by Claude Gillot, French, 1673–1722

DESSUS DE CLAVECIN GRAVÉ D’APRÉS LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT

Claude Gillot, French, 1673–1722 · 1731–35

CC0 (public-domain equivalent)Smithsonian
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, by Anne Claude Philippe de Tubières, comte de Caylus

A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi

Anne Claude Philippe de Tubières, comte de Caylus · ca. 1729–64

Public domainThe Met
DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR WATEAU, by Antoine Watteau, French, 1684–1721

DESSUS DE CLAVECIN GRAVÉ D'APRES LE DESSEIN ORIGINAL INVENTÉ PAR WATEAU

Antoine Watteau, French, 1684–1721 · 1723-1735

CC0 (public-domain equivalent)Smithsonian
Stone Cutter, by Anne Claude Philippe de Tubières, comte de Caylus

Stone Cutter

Anne Claude Philippe de Tubières, comte de Caylus · 1737

Public domainThe Met
VENUS BLESSÉ PAR L'AMOUR, by Antoine Watteau, French, 1684–1721

VENUS BLESSÉ PAR L'AMOUR

Antoine Watteau, French, 1684–1721 · 1723-1735

CC0 (public-domain equivalent)Smithsonian
Pea Shellers, by Anne Claude Philippe de Tubières, comte de Caylus

Pea Shellers

Anne Claude Philippe de Tubières, comte de Caylus · 1737

Public domainThe Met
Ornament Vignettes, by Antoine Watteau, French, 1684–1721

Ornament Vignettes

Antoine Watteau, French, 1684–1721 · 1723-1735

CC0 (public-domain equivalent)Smithsonian
Pottery Peddler, by Anne Claude Philippe de Tubières, comte de Caylus

Pottery Peddler

Anne Claude Philippe de Tubières, comte de Caylus · 1738

Public domainThe Met
LIVRE DE PORTIERES, by Claude Gillot, French, 1673–1722

LIVRE DE PORTIERES

Claude Gillot, French, 1673–1722 · 1729–37

CC0 (public-domain equivalent)Smithsonian
A Woman From Savoy, by Anne Claude Philippe de Tubières, comte de Caylus

A Woman From Savoy

Anne Claude Philippe de Tubières, comte de Caylus · 1737

Public domainThe Met
LIVRE DE DIFFERENTS Caracteres de Têtes. Inventez Par M. Watteaux, Et Gravez d’après ses Desseins, par Filloeul, by Pierre Filloeul, French, b. 1696–after 1754

LIVRE DE DIFFERENTS Caracteres de Têtes. Inventez Par M. Watteaux, Et Gravez d’après ses Desseins, par Filloeul

Pierre Filloeul, French, b. 1696–after 1754 · 1727–34

CC0 (public-domain equivalent)Smithsonian
The Hurdy-Gurdy Player, by Anne Claude Philippe de Tubières, comte de Caylus

The Hurdy-Gurdy Player

Anne Claude Philippe de Tubières, comte de Caylus · 1737

Public domainThe Met
bon Voyage, by Pierre Filloeul, French, b. 1696–after 1754

bon Voyage

Pierre Filloeul, French, b. 1696–after 1754 · 1734

CC0 (public-domain equivalent)Smithsonian
Lettuce Seller, by Anne Claude Philippe de Tubières, comte de Caylus

Lettuce Seller

Anne Claude Philippe de Tubières, comte de Caylus · 1742

Public domainThe Met
Almanac for the Second Half of the Year 1792

Almanac for the Second Half of the Year 1792

Artist not stated in the record · 1791

CC0 (public-domain equivalent)Smithsonian
Well Cleaner, by Anne Claude Philippe de Tubières, comte de Caylus

Well Cleaner

Anne Claude Philippe de Tubières, comte de Caylus · 1746

Public domainThe Met
Louis Phillipe d'Orleans, Comte de Paris

Louis Phillipe d'Orleans, Comte de Paris

Artist not stated in the record · c. 1860-70

CC0 (public-domain equivalent)Smithsonian
Peddler of Knives, Scissors and Combs, by Anne Claude Philippe de Tubières, comte de Caylus

Peddler of Knives, Scissors and Combs

Anne Claude Philippe de Tubières, comte de Caylus · 1742

Public domainThe Met
Louis Phillipe d'Orleans, Comte de Paris

Louis Phillipe d'Orleans, Comte de Paris

Artist not stated in the record · c. 1860-70

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 127 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 645576 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-26 20:22 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.