OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 17 shown for “Antonio Basoli” — 45 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-01 20:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Elevation and Ground Plan for a Papal Throne
Antonio Basoli · 1841
Untitled
Antonio Basoli, Italian, born Bologna, Italy 1774-died Bologna, Italy 1848 · n.d.
Design for a Papal Throne with Elevations and Sketch of Baldacchino Interior
Antonio Basoli · 1841
Noble Interior: Stage Design for the Teatro Marsigli-Rossi in Bologna
Francesco Cocchi · ca. 1810
Design for a Stage Set: Semi-Circular Colonnaded Building, a Bridge Surmounted by a Tempietto, a Fountain in the Foreground and Putti Bearing Garlands.
Antonio Basoli · 1774–1843
Stage Design, Town Burning
Antonio Giuseppe Basoli, Italian, 1774–1843 · ca. 1810–20
Framed Design for an Architectural Interior: Coffered Ceiling with Central Hexagonal Cartouche and Walls with Floral Ornament and Drapery.
Antonio Basoli · 1774–1839
Stage Design, Oriental Town
Antonio Giuseppe Basoli, Italian, 1774–1843 · early 19th century
The Sacrifice of Iphigenia
Gaetano Gandolfi · 1789
Stage Design: Gothic Hall
Artist not stated in the record · ca. 1830
Old Cathedral at Brescia
Artist not stated in the record · early 19th century
Stage Design, Oriental Temple
Antonio Giuseppe Basoli, Italian, 1774–1843 · 1810–30
Old Cathedral at Brescia
Artist not stated in the record · early 19th century
Lucius Albinius Rescues the Vestal Virgins
Antonio Giuseppe Basoli, Italian, 1774–1843 · 1800–20
Old Cathedral at Brescia
Artist not stated in the record · early 19th century
Stage Design, Egyptian Town
Antonio Giuseppe Basoli, Italian, 1774–1843 · early 19th century
Stage Design, Hospital at Brescia
Artist not stated in the record · early 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5 matched · 5 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.5 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 36815 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 20:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.