OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Antonio di Neri Barili” — 57 records examined, 15 dropped by the rights gate.
Archives queried 2026-09-02 05:47 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Frieze
Antonio di Neri Barili · ca. 1483–1502
Veduta del Tempio di Antonio e Faustina in Campo Vaccino
Giovanni Battista Piranesi, Italian, 1720–1778 · 1758
Saint Philip Neri (1515–1595)
Carlo Dolci · 1645 or 1646
View of S. Ferdinando in Castello and the Quarter Around and Beyond S. Spirito, Plate 5 from "Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze"
Artist not stated in the record · ca. 1743
Saint Anthony of Padua
Maso di Banco · ca. 1340
San Antonio Mission
Henry Wolf, born Eckwersheim, Alsace 1852-died New York City 1916 · 1882
Saints John the Baptist and an Evangelist (Matthew?)
Bicci di Lorenzo · 1433–35
Boar Hunt
Unidentified (Italian) · n.d.
The Crucifixion
Paolo Uccello (Paolo di Dono) · probably mid-1450s
Alphonso I of Naples
Unidentified (Italian) · n.d.
Madonna and Child with Angels
Pietro di Domenico da Montepulciano · 1420
Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the "Raccolta Di Disegni Originali Di Mauro Tesi..."
Count Cesare Massimiliano Gini, Italian, 1739 - 1821 · 1787
Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi) · ca. 1504
J. P. Morgan
Georges Goursat, 1863 - 1934 · c. 1913
The Sacrifice of Jephthah's Daughter
Massimiliano Soldani · modeled 1722, probably cast 1730–35
Galium sp.
Artist not stated in the record · 5 Jul 1866
Madonna and Child Enthroned with Saints and Angels
Francesco Botticini (Francesco di Giovanni) · 1493–95
Galium sp.
Artist not stated in the record · 5 Jul 1866
Statue of Tuccia, the ancient Roman Vestal Virgin (Tucia Vestale)
Francesco Monaco · ca. 1748
San Antonio, Texas Owney tag
Artist not stated in the record · 1888-1897
Madonna and Child Enthroned with Saints
Taddeo Gaddi · ca. 1340, updated ca. 1480
Design for Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the "Raccolta Di Disegni Originali Di Mauro Tesi..."
Count Cesare Massimiliano Gini, Italian, 1739 - 1821 · 1787
Madonna and Child with Two Angels
Cosimo Rosselli · early 1480s
Veronica aphylla L.
Artist not stated in the record · 5 Jul 1866
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 17 matched · 17 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 54469 matched · 40 examined · 15 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 05:47 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.