OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Apollonio di Giovanni di Tomaso” — 50 records examined, 2 dropped by the rights gate.
Archives queried 2026-08-26 05:44 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Wall Decoration, Plate from "Loggie di Rafaele nel Vaticano" (Raphael's Loggia in the Vatican)
Pietro Camporesi, Italian, 1726 – 1781 · 18th century
The Story of Esther
Marco del Buono Giamberti
Wall Deocration, Plate II from Raphael's Loggie di Rafaele nel Vaticano (Loggia in the Vatican)
Gaetano Savorelli, d. 1791 · 1722–1777
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini) · 1467
Raccolta di teste
Artist not stated in the record · 1750–1780
Scenes from the Story of the Argonauts
Jacopo di Arcangelo (called Jacopo del Sellaio) · ca. 1465
Raccolta di teste
Artist not stated in the record · 1750–1780
Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)
Raccolta di teste
Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · ca. 1757
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi · 1641
Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1650
Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
Baptism of Christ
Alessandro Algardi · second half of the 17th century
Plate I from Loggie di Rafaele nel Vaticano
Giovanni Ottaviani, ca. 1735 – 1808 · 1772–77
Scenes from the Story of the Argonauts
Biagio d'Antonio
Wall Decoration, Plate XII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
The Arrest of Christ
Niccolò Giolfino · ca. 1545–46
Raccolta di teste
Artist not stated in the record · 1770–1774
Raccolta di teste
Artist not stated in the record · 1770–1774
Scherzi di Fantasia
Artist not stated in the record · 1757–1762
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 10 matched · 10 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 18930 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 05:44 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.