OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Attributed to Lalchand” — 64 records examined, 34 dropped by the rights gate.
Archives queried 2026-08-28 08:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
"Portrait of Sayyid Abu'l Muzaffar Khan, Khan Jahan Barha", Folio from the Shah Jahan Album
Lalchand · recto: ca. 1630; verso: ca.1530–50
Jahangir Giving Books to Shaykhs, from the St. Petersburg Album
Attributed to Lalchand · ca. 1620; borders mid-18th century; calligraphy AH 1020 (1611-12)
Portrait of a Man with His Hand on His Chest
Attributed to Corneille de Lyon · 1540–45
Pair of stars and stripes slippers attributed to Elizabeth Keckly
Elizabeth Keckly, American, 1818 - 1907 · ca. 1865
Head Attributed to Arsinoe II
Artist not stated in the record · 278–270 BCE
Pitcher
Artist not stated in the record · ca. 1800
Face attributed to Ptolemy II Philadelphos or a contemporary
Artist not stated in the record · 284–246 BCE
Cupid Resting, after a painting formerly attributed to Rembrandt
Rembrandt Harmensz van Rijn, Dutch, 1606–1669 · ca. 1660
Guitar
Jean-Baptiste Voboam · 1697
Trophy with Instruments of Gardening, Plate 2 from "Suite de différentes Attributs, Trophées, et Groupes de fleurs," Suite II
Pierre Ranson, French, 1736–1786 · 1778
Relief attributed to Petamenophis
Artist not stated in the record · ca. 721–640 BCE
Trophy with Gardening Implements, Plate 6 from "Suite de différentes Attributs, Trophées, et Groupes de fleurs," Suite II
Artist not stated in the record · 1778
Cheval fire screen
Thomas Moore · ca. 1755–60
Trophy with Bucolic Implements, Plate 3 from "Suite de différentes Attributs, Trophées, et Groupes de fleurs," Suite II
Pierre Ranson, French, 1736–1786 · 1778
Bookstand
Charles-Auguste Questel · 1839
Augustus Jonathan Hubbard attributed to Ruth Henshaw Bascom
Artist not stated in the record
Upholstered armchair, originally from a set of eight, from Burley-on-the-Hill, Rutland (one of a pair)
Thomas Roberts · ca. 1689
Rinceaux Design with Putto, plate 3, from A New Book of Ornaments Useful to all Artists
Artist not stated in the record · 1704
Sideboard Table
Thomas Seymour · 1805–10
The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture"
Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 · 1759–72
Staircase from Cassiobury Park, Hertfordshire
Edward Pearce · ca. 1677–80
Side chair
Charles-Honoré Lannuier · 1815–19
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 18452 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 922972 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-28 08:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.