OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Bar for cutting slices for inlay” — 64 records examined, 15 dropped by the rights gate.
Archives queried 2026-09-04 05:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Guitar
Artist not stated in the record · ca. 1800
Bar for cutting slices for inlay
Artist not stated in the record · 305 BCE-19 CE
Bronze furniture attachments with silver inlay
Artist not stated in the record · 1st century BCE–early 1st century CE
Bar for cutting slices for inlay
Artist not stated in the record · 305 BCE-19 CE
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Richard Holden · ca. 1683 and later; buff coat, 17th–18th century
Bar for slicing inlays
Artist not stated in the record · 305 BCE - 19 CE
Inlay fragment, rosette
Artist not stated in the record · ca. 200 BCE–CE 100
Bar for slicing inlays
Artist not stated in the record · 305 BCE - 19 CE
Inlay fragment, rekhyt birds
Artist not stated in the record · 100 BCE–100 CE
Bar for slicing inlays
Artist not stated in the record · 305 BCE-19 CE
Inlay with a sema tawy design
Artist not stated in the record · 100 BCE–100 CE
Bar for slicing inlays
Artist not stated in the record · 305 BCE-19 CE
Bar for slicing inlays
Artist not stated in the record · 305 BCE-19 CE
Boating
Edouard Manet · 1874
Fragment of a bar for slicing inlays
Artist not stated in the record · 305 BCE-14 CE
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865
Fragment of a bar for slicing inlays
Artist not stated in the record · 305 BCE-14 CE
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle · ca. 1324–28
Bar fragment for slicing inlays
Artist not stated in the record · 305 BCE-19 CE
Crossbow Brooch
Artist not stated in the record · early 400s
Fragment of a bar for slicing inlays
Artist not stated in the record · 305 BCE-19 CE
Bottle
Artist not stated in the record · 9th–10th century
Fragment of bar for slicing inlay
Artist not stated in the record · 305 BCE-14 CE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 325 matched · 24 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 457905 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 05:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.