OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bartolomeo di Giovanni” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-08-27 06:55 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini) · 1467
Portrait of Bartolomeo di Miniato (d. 1548)
Artist not stated in the record · 1730-1750
The Trinity
Bartolomeo di Giovanni
Crossidium squamiferum (Viv.) Jur.
Artist not stated in the record · 26 Apr 1958
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Wall Decoration, Plate from "Loggie di Rafaele nel Vaticano" (Raphael's Loggia in the Vatican)
Pietro Camporesi, Italian, 1726 – 1781 · 18th century
The Virgin and Saint John the Evangelist
Bartolomeo di Giovanni · ca. 1485–90
Raccolta di teste
Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · ca. 1757
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni · shortly after 1553
Raccolta di teste
Artist not stated in the record · 1750–1780
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi) · early 1490s
Raccolta di teste
Artist not stated in the record · 1750–1780
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455–60
Wall Deocration, Plate II from Raphael's Loggie di Rafaele nel Vaticano (Loggia in the Vatican)
Gaetano Savorelli, d. 1791 · 1722–1777
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà
Bartolomeo Vivarini · ca. 1465
Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) · 1445
Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) · 1445
Plate I from Loggie di Rafaele nel Vaticano
Giovanni Ottaviani, ca. 1735 – 1808 · 1772–77
The Nativity
Lorenzo Monaco (Piero di Giovanni) · ca. 1406–10
Wall Decoration, Plate XII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)
Giovanni Volpato, Italian, 1733 - 1803 · 1772–1777
Grand Piano
Bartolomeo Cristofori · 1720
Raccolta di teste
Artist not stated in the record · 1770–1774
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1954 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 18983 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 06:55 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.