OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Battle scene and allegorical figures with the armorial of Wilhelm Hundt” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-03 09:37 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Battle scene and allegorical figures with the armorial of Wilhelm Hundt
Artist not stated in the record · 1603
Hall Decoration, Hotel des Menus-Plaisirs, for the Assemblee des Notables
Pierre-Adrien Paris, French, 1741 – 1819 · 1786
The Battle of Vercellae
Giovanni Battista Tiepolo · 1725–29
Allegorical subject
Domenico Mondo, Italian, 1723 - 1806 · before 1800
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Cartouche with a Dragon and Armorial Trophy
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1738
The Harvesters
Pieter Bruegel the Elder · 1565
Allegorical Scene with Minerva and Apollo
Jacques Fouquet, French, active 1685 – 1704 · 1707–44
Annunciation Triptych (Merode Altarpiece)
Robert Campin · ca. 1427–32
Figure with Buckets
Jean-Baptiste Pillement, French, 1728–1808 · 1759
The Triumph of Marius
Giovanni Battista Tiepolo · 1729
Design for a Tondo with Arms of Cardinal Giulio della Rovere
Niccolò Martinelli, called il Trometta, Italian, 1565 – 1620 · 1566–78
The Journey of the Magi
Sassetta (Stefano di Giovanni) · ca. 1433–35
Allegorical Figure of "America"
Royal Porcelain Manufactory, Berlin, German, established 1763 · ca. 1770
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano) · ca. 1485–95
Allegorical Figure of "Africa"
Royal Porcelain Manufactory, Berlin, German, established 1763 · ca. 1770
Allegory of the Catholic Faith
Johannes Vermeer · ca. 1670–72
Le Gout (Taste) from the series Les Cinq Senses (The Five Senses)
François Boucher, French, 1703–1770 · 1720–1770
The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo · 1783
La Veue (Sight) from the series Les Cinq Senses (The Five Senses)
François Boucher, French, 1703–1770 · 1720–1770
Panel with Hunting Scenes
Artist not stated in the record · ca. 1350
L'Odorat (Smell) from the series Les Cinq Senses (The Five Senses)
François Boucher, French, 1703–1770 · 1720–1770
The Annunciation
Hans Memling · ca. 1465–70
Sarcophagus and Allegorical Figures
Giuseppe Barberi, Italian, 1746–1809 · 18th–19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 34 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3232348 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 09:37 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.