Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bill of sale for Hannah and her children, Clarinda and Stephen” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-31 23:22 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman
Aelbert Cuyp · ca. 1652–53

Bill of sale for Hannah and her children, Clarinda and Stephen
Artist not stated in the record · March 3, 1800

"Winter" Needlework Picture
Hannah Jane Robinson · 1819

Bill of sale for Sally and her daughters, Sylvia, Charlotte, and Elizabeth
Artist not stated in the record · March 7, 1854

The Love Song
Sir Edward Burne-Jones · 1868–77

Bill of sale for two enslaved women, Nelly and Milley, and their six children
Artist not stated in the record · 1832

The Abduction of the Sabine Women
Nicolas Poussin · probably 1633–34

Bill of sale for Leah and her daughters Sarah and Mariah to Robert Watson
Artist not stated in the record · January 8, 1827

Original Bill of Sale, Pellatt and Green
Pellatt & Green · 1818

Bill of sale for a woman, Laurett, and her daughter, Anne
S. E. Lafar, American · 1845

Charity
Guido Reni · ca. 1630

Bill of sale for Charlotte and her daughter Kate to John Rouzee
Artist not stated in the record · September 26, 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence · 1790

Bill of sale for an enslaved woman named Nancy
Artist not stated in the record · February 1844

Tilla Durieux (Ottilie Godeffroy, 1880–1971)
Auguste Renoir · 1914

Bill of sale for a 17 year old girl named Mary
Artist not stated in the record · December 30, 1836

The Public Viewing David's "Coronation" at the Louvre
Louis Léopold Boilly · 1810

Bill of sale for a 15-year-old girl named Sarah to Robert Watson
Artist not stated in the record · March 30, 1836

Midas Washing at the Source of the Pactolus
Nicolas Poussin · ca. 1627

Bill of sale for a boy named Hall to Jerome B. Annis
Artist not stated in the record · January 16, 1854

Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi) · ca. 1488

Spotted-Tail, Sioux Indian
Kasebier, Gertrude · ca 1898

Ia Orana Maria (Hail Mary)
Paul Gauguin · 1891

Biographical Sketches and Interesting Anecdotes of Persons of Colour. To Which Is Added, a Selection of Pieces in Poetry
Artist not stated in the record · 1838
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 70 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3143622 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 23:22 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.