OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bottle with Pine Tree” — 64 records examined, 17 dropped by the rights gate.
Archives queried 2026-08-28 22:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Workbox
Artist not stated in the record · ca. 1830
ESS PINI
Artist not stated in the record · 18th century
Alexander Danilovich Menshikov (1673–1729)
Unknown · probably shortly before 1704
Pemadumcook Pines, Maine
Frederic Edwin Church, American, 1826–1900 · October 3, 1878
Bottle with Pine Tree
Artist not stated in the record · mid-17th century
Woods with Pine Trees
Winslow Homer, American, 1836–1910 · 1862
Side table (commode en console)
Bernard II van Risenburgh · ca. 1755–60
Two Pine Trees, Mt. Desert Island, Maine
Frederic Edwin Church, American, 1826–1900 · 1850–1851
Ishizara with Pine Tree
Artist not stated in the record · early 19th century
Mountain River or Lake
Winslow Homer, American, 1836–1910 · 1897
Case (Inrō) with Design of Buddhist Angel (obverse); Pine Forest (reverse)
Tōyō · late 18th century
Watercolor no. 35, Field with Two Pine Trees
Allen Tucker, born Brooklyn, NY 1866-died New York City 1939 · 1937
Dish with pine trees
Artist not stated in the record · 17th century
Yui, Summit of Mount Satta, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese, 1797–1858 · ca. 1834
Platter (Ōzara) with Pine Tree
Artist not stated in the record · early 17th century
Study of Pine Tree, Shawangunk Mountains
Daniel Huntington, American, 1816–1906 · 1837
Ink Tablet with Thousand-Year Fungus Motif
Cheng Junfang · late 19th–early 20th century
The Pine Trees of El Monte, California
Samuel Colman, American, 1832–1920 · April 10, 1898
Old Trees, Level Distance
Guo Xi · ca. 1080
Futagawa Teahouse, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese, 1797–1858 · ca. 1834
The strange pines of Mount Tiantai
Dai Benxiao · 1687
Cover
Artist not stated in the record · 1875–1900
Venus and Cupid
Lorenzo Lotto · 1520s
Tree Trunk with Roots
Frederic Edwin Church, American, 1826–1900 · probably 1848
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 430 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 335210 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 22:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.