OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Brahma with Silver Eyes” — 64 records examined, 24 dropped by the rights gate.
Archives queried 2026-08-27 09:43 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Brahma with Silver Eyes
Artist not stated in the record · 9th century
Costume worn by Nona Hendryx of Labelle
Larry LeGaspi, American, 1950 - 2001 · 1975
Helmet (Sallet)
Artist not stated in the record · late 15th–early 16th century
Singer model 66 treadle sewing machine and motor from the Rock Rest Tourist Home
Artist not stated in the record · 1921
Bronze statuette of an artisan with silver eyes
Artist not stated in the record · ca. mid-1st century BCE
Makeup case used by makeup artist Bernadine M. Anderson
Unidentified · 1970s - 1990s
Celestial globe with clockwork
Gerhard Emmoser · 1579
Wedding Ceremony with Brahma in Attendance
Artist not stated in the record · ca. 1680
Diana and the Stag
Joachim Friess · ca. 1620
Carving Knife with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Seated satyr with silvered eyes
Andrea Briosco, called Riccio · second quarter of the 16th century
Carving Knife with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Funerary mask
Lambayeque (Sicán) artist(s) · 900–1100 CE
Knife Sharpener with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Crowned Buddha
Artist not stated in the record · 10th–11th century
Snuff Box in Shape of a Moor's Head
Artist not stated in the record · mid-18th century
Coin cabinet
Charles Percier · ca. 1809–19
German Violin Bow (3/4 size)
Artist not stated in the record · 1898-1902
Pair of eyes
Artist not stated in the record · 5th century BCE or later
Carving Fork with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
The Virgin of the Immaculate Conception
Artist not stated in the record · 18th century
Carving Fork with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Bodhisattva Maitreya, the Buddha of the Future
Artist not stated in the record · 7th century
French Violin Bow
Artist not stated in the record · 1898-1902
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 917 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 333986 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 09:43 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.