OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Broadside advertising "Valuable Slaves at Auction" in New Orleans” — 64 records examined, 38 dropped by the rights gate.

Archives queried 2026-09-01 10:37 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
A Dance in the Country, by Giovanni Domenico Tiepolo

A Dance in the Country

Giovanni Domenico Tiepolo · ca. 1755

Public domainThe Met
Broadside advertising "Valuable Slaves at Auction" in New Orleans

Broadside advertising "Valuable Slaves at Auction" in New Orleans

Artist not stated in the record · February 3, 1859

CC0 (public-domain equivalent)Smithsonian
The Collector of Prints, by Edgar Degas

The Collector of Prints

Edgar Degas · 1866

Public domainThe Met
Broadside for a New Orleans auction of 18 enslaved persons from Alabama

Broadside for a New Orleans auction of 18 enslaved persons from Alabama

Artist not stated in the record · 1858

CC0 (public-domain equivalent)Smithsonian
Side Chair, by Duncan Phyfe

Side Chair

Duncan Phyfe · ca. 1837

Public domainThe Met
Broadside for the auction of 10 enslaved families in New Orleans

Broadside for the auction of 10 enslaved families in New Orleans

Artist not stated in the record · 1855

CC0 (public-domain equivalent)Smithsonian
[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold], by Unknown

[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold]

Unknown · April 20, 1865

Public domainThe Met
Broadside advertising pay bounties and pensions for Union troops

Broadside advertising pay bounties and pensions for Union troops

Artist not stated in the record · ca. 1866

CC0 (public-domain equivalent)Smithsonian
The Death of Socrates, by Jacques Louis David

The Death of Socrates

Jacques Louis David · 1787

Public domainThe Met
Broadside for Blind Tom

Broadside for Blind Tom

Artist not stated in the record · ca. 1887

CC0 (public-domain equivalent)Smithsonian
Harbor Scene: An English Ship with Sails Loosened Firing a Gun, by Peter Monamy

Harbor Scene: An English Ship with Sails Loosened Firing a Gun

Peter Monamy

Public domainThe Met
New England Loyal Publication Society No. 147

New England Loyal Publication Society No. 147

Artist not stated in the record · 1863

CC0 (public-domain equivalent)Smithsonian
Side Chair, by Duncan Phyfe

Side Chair

Duncan Phyfe · ca. 1837

Public domainThe Met
"Liberator" broadside advertising a bus trip to the 1963 March on Washington, by Liberator Magazine, 1961-1971, American, 1961 - 1971

"Liberator" broadside advertising a bus trip to the 1963 March on Washington

Liberator Magazine, 1961-1971, American, 1961 - 1971 · 1963

CC0 (public-domain equivalent)Smithsonian
Mrs. Grace Dalrymple Elliott (1754?–1823), by Thomas Gainsborough

Mrs. Grace Dalrymple Elliott (1754?–1823)

Thomas Gainsborough · 1778

Public domainThe Met
The Daily Picayune

The Daily Picayune

Artist not stated in the record · July 10, 1856

CC0 (public-domain equivalent)Smithsonian
The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment, by Paul Revere Jr.

The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment

Paul Revere Jr. · 1770

Public domainThe Met
Broadside, "1776-1876. Centennial Memorial"

Broadside, "1776-1876. Centennial Memorial"

Artist not stated in the record · 1876

CC0 (public-domain equivalent)Smithsonian
The Natchez, by Eugène Delacroix

The Natchez

Eugène Delacroix · 1823–24 and 1835

Public domainThe Met
New Orleans Mutual Insurance Association Fire Mark, by unknown

New Orleans Mutual Insurance Association Fire Mark

unknown · 1869

CC0 (public-domain equivalent)Smithsonian
A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo', by José Guadalupe Posada

A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo'

José Guadalupe Posada · ca. 1898 (a later impression)

Public domainThe Met
New Orleans Mutual Insurance Association Fire Mark, by unknown

New Orleans Mutual Insurance Association Fire Mark

unknown · 1869

CC0 (public-domain equivalent)Smithsonian
Bookcase

Bookcase

Artist not stated in the record · 1835–50

Public domainThe Met
Broadside for a performance by Madame Sissieretta Jones, by Unidentified

Broadside for a performance by Madame Sissieretta Jones

Unidentified · 1893

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 29 matched · 24 examined · 11 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 7462670 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-01 10:37 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.