Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Broadside advertising "Valuable Slaves at Auction" in New Orleans” — 64 records examined, 38 dropped by the rights gate.
Archives queried 2026-09-01 10:37 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
A Dance in the Country
Giovanni Domenico Tiepolo · ca. 1755

Broadside advertising "Valuable Slaves at Auction" in New Orleans
Artist not stated in the record · February 3, 1859

The Collector of Prints
Edgar Degas · 1866

Broadside for a New Orleans auction of 18 enslaved persons from Alabama
Artist not stated in the record · 1858

Side Chair
Duncan Phyfe · ca. 1837

Broadside for the auction of 10 enslaved families in New Orleans
Artist not stated in the record · 1855
![[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold], by Unknown](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP274835.jpg&w=3840&q=75)
[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold]
Unknown · April 20, 1865

Broadside advertising pay bounties and pensions for Union troops
Artist not stated in the record · ca. 1866

The Death of Socrates
Jacques Louis David · 1787

Broadside for Blind Tom
Artist not stated in the record · ca. 1887

Harbor Scene: An English Ship with Sails Loosened Firing a Gun
Peter Monamy

New England Loyal Publication Society No. 147
Artist not stated in the record · 1863

Side Chair
Duncan Phyfe · ca. 1837

"Liberator" broadside advertising a bus trip to the 1963 March on Washington
Liberator Magazine, 1961-1971, American, 1961 - 1971 · 1963

Mrs. Grace Dalrymple Elliott (1754?–1823)
Thomas Gainsborough · 1778

The Daily Picayune
Artist not stated in the record · July 10, 1856

The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment
Paul Revere Jr. · 1770

Broadside, "1776-1876. Centennial Memorial"
Artist not stated in the record · 1876

The Natchez
Eugène Delacroix · 1823–24 and 1835

New Orleans Mutual Insurance Association Fire Mark
unknown · 1869

A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo'
José Guadalupe Posada · ca. 1898 (a later impression)

New Orleans Mutual Insurance Association Fire Mark
unknown · 1869

Bookcase
Artist not stated in the record · 1835–50

Broadside for a performance by Madame Sissieretta Jones
Unidentified · 1893
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 29 matched · 24 examined · 11 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7462670 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 10:37 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.