Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bronze left foot with traces of sandal straps” — 64 records examined, 30 dropped by the rights gate.
Archives queried 2026-08-31 14:10 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Bronze left foot with traces of sandal straps
Artist not stated in the record · 1st or 2nd century A.D

Left gold heeled sandal with ankle strap
Unidentified · ca. 1975

Wall clock (pendule en cartel)
Jean Godde l'aîné · ca. 1740–45

Two Sketches of a Foot
Artist not stated in the record · early 18th century

Sprite
Donatello · 1432

Gold heeled sandals
Unidentified · 1970s-1980s

Bronze chariot inlaid with ivory
Artist not stated in the record · 2nd quarter of the 6th century BCE

Study of Left Foot
Francis Augustus Lathrop, American, 1849–1909 · ca. 1895

Warrior (Musketeer)
Artist not stated in the record · 17th century

Horse saddle used by stuntman Ernest "Ernie" Robinson
Artist not stated in the record · ca. 1971

Inlays and Shrine Elements
Artist not stated in the record · 380–30 BCE

Drawing
Felice Giani, Italian, 1758–1823 · 1810-1820

Prick Spur
Artist not stated in the record · 2nd–1st century BCE

Costume worn by Maxine Jones in "Giving Him Something He Can Feel" video
Danny Flynn · 1992

Venus Marina
Girolamo Campagna · late 16th century–early 17th century

Prosthetic leg worn by Carl Brashear
Artist not stated in the record · after 1966

Fortuna
Giambologna · early 17th century

Cupid
Artist not stated in the record · ca 1760

Paris
Antico (Pier Jacopo Alari Bonacolsi) · ca. 1518–1524

Women's US Army Service jacket worn by Brigadier General Hazel Johnson-Brown
Sugarman Uniforms, American · 1980

Spinario
Antonello Gagini · early 16th century

Costume worn by Terry Ellis in "Giving Him Something He Can Feel" video
Danny Flynn · 1992

The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455–60

Study of a Left Foot
Francis Augustus Lathrop, American, 1849–1909 · ca. 1895
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 43 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2902332 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 14:10 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.