OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bronze statuette of a satyr and maenad” — 64 records examined, 23 dropped by the rights gate.
Archives queried 2026-08-28 05:50 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Bronze statuette of a satyr and maenad
Artist not stated in the record · ca. 510–480 B.C
Design of a Cabinet in the Louis XVI Style
Artist not stated in the record · ca. 1860
Satyr
Antico (Pier Jacopo Alari Bonacolsi) · ca. 1510–ca. 1520
Drawing
Felice Giani, Italian, 1758–1823 · 1790-1800
Satyr
Desiderio da Firenze · ca. 1530
A Bacchanale
Raymond Lafage, French, 1656–1684 · ca. 1670–1684
Bronze figure of a boy in Eastern dress
Artist not stated in the record · mid-late 1st century BCE
Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne
Felice Giani, Italian, 1758–1823 · 1800–1802
Bronze satyr
Artist not stated in the record · late 5th–4th century BCE
Sheet from a Sketchbook: The Triumph of Silenus; Sacrifice to Bacchus
Felice Giani, Italian, 1758–1823 · 1800–1810
Bronze diskos thrower
Artist not stated in the record · ca. 480–460 BCE
Bell Krater
Artist not stated in the record · 350–300 BC
Terracotta statuette of a satyr and maenad
Artist not stated in the record · 3rd century BCE
Design for Majolica Pitcher
Artist not stated in the record · 18th century
Seated Buddha
Artist not stated in the record · 1st to mid-2nd century
A Bacchanalian Revel
Henri Antoine de Favanne, French, born England, 1668 - 1752 · ca. 1746
Bronze statuette of a satyr with a torch and wineskin
Artist not stated in the record · 3rd–2nd century BCE
Drawing
Felice Giani, Italian, 1758–1823 · 1780-1790
Bronze horse
Artist not stated in the record · 8th century BCE
Bacchus and Ariadne with Autumn and Victories and Three Roundels with Putti
Felice Giani, Italian, 1758–1823 · late 18th century
Trotting horse
Giambologna · probably 1587–91
Panel of Arabesques for the Hôtel de Salm, Paris
Jean-Guillaume Moitte, French, 1746–1810 · 1785
Bronze statuette of a horse
Artist not stated in the record · late 2nd–1st century BCE
Stag
Antoine Louis Barye, 1796 – 1875 · mid-19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1067 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4046272 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 05:50 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.