OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Brush tray” — 63 records examined, 27 dropped by the rights gate.
Archives queried 2026-09-06 02:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Brush tray
Artist not stated in the record · 16th century or earlier
Design for a Painted Porcelain Tureen and Tray
French National Porcelain Manufactury at Vincennes, 1738 – 1756 · ca. 1750
Glove tray
M(?).B. · 1723–24
Design for a Tray with Punch Bowl and Glasses
Giovacchino Belli, Italian, 1756 - 1822 · ca. 1810
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Design for an Oval Gallery Tray, with Alternate Suggestions
Joseph Anton Seethaler II, German, 1799–1868 · 1827–35
Box for Writing Implements with Design of Kimono on Rack and Incense Burner
Artist not stated in the record · 19th century
Design for Bottle Cooler, Glasses, and Tray
Giovacchino Belli, Italian, 1756 - 1822 · ca. 1810
![[Workman Holding Brush and Rectangular Tray, Arm Resting on Fake Rock], by Unknown](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP700440.jpg&w=3840&q=75)
[Workman Holding Brush and Rectangular Tray, Arm Resting on Fake Rock]
Unknown · 1860s–80s
Design for a Painted Porcelain Plate, Les Prunes et Pruneaux (Plums and Prunes) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French, 1783 - 1849 · 1824
Designs for Two Silver Serving Dishes and Trays
Anonymous, French, 19th century · 19th century
Design for a Painted Porcelain Tray
Artist not stated in the record · ca. 1766
Design for Three Reclined Reading Sofas with Trays, on Casters, Upholstered in Green and Red
Anonymous, British, 19th century · early 19th century
Breakfast
Artist not stated in the record · 1750–1775
Design for a Ceiling: Venice Receiving Homage
Gaspare Diziani · 1755–60
Design for a Candlestick
Artist not stated in the record · 1820–1850
Fish Market
Joachim Beuckelaer · 1568
Design for a Painted Porcelain Plate, Les Liqueurs (Liqueurs) for the Services des Objets des Dessert (Dessert Service)
Jean Charles Develly, French, 1783 - 1849 · 1819–20
Portrait of a Young Man
Biagio d'Antonio · probably ca. 1470
Design for a Surtout de Table (Centerpiece)
Artist not stated in the record · early 19th century
Interior Scene with Books and Writing Implements
Unidentified artist · early to mid-17th century
An Elizabethan Room at Lyme Hall, Cheshire
Joseph Nash The Elder, British, 1808 - 1878 · 1872
Box for Personal Accessories (Tebako) with Chrysanthemums and Paulownia Flowers
Artist not stated in the record · late 15th century
Design for a Painted Porcelain Serving Vessel, Les Sorbets (Sorbets) from the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French, 1783 - 1849 · 1819–20
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 23 matched · 23 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 16775 matched · 40 examined · 25 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 02:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.