Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Bust of a royal figure with downward-hanging snake” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-08-27 17:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Bust of a royal figure with downward-hanging snake
Artist not stated in the record · 400–200 BCE

Inkstand
Giuseppe Barberi, Italian, 1746–1809 · ca. 1800

Royal bust with atypical snake
Artist not stated in the record · 400–200 BCE

Title Page, Vasses de la Maison Royalle de L'oo Nouvellement (Vessels of the Royal House of L'oo)
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · ca. 1700

Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611

Standing Woman
Daniel Huntington, American, 1816–1906 · 1860

Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century

Study of Nude Figure
Francis Augustus Lathrop, American, 1849–1909 · 1893–94

Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux
Jean de Liège · ca. 1381

A Candlestick with Four Branches
Luigi Righetti, Italian, 1780 - 1819 · early 19th century

Royal bust
Artist not stated in the record · 400–200 BCE

Academic Study of a Male Nude
Giuseppe Longhi, Italian, 1766–1831 · 1805

A Hypocrite and a Slanderer
Franz Xaver Messerschmidt · ca. 1770–83

Two Figures in a Landscape
François Boucher, French, 1703–1770 · after 1751

Royal bust
Artist not stated in the record · 400–200 BCE

Gnarled Dead Tree
Frederic Edwin Church, American, 1826–1900 · 1851–52

Aristotle with a Bust of Homer
Rembrandt (Rembrandt van Rijn) · 1653

Doorway of San Salvatore in Lauro with Decoration for the Funeral of King Frederick August III of Poland, Rome, Italy
Carlo Marchionni, Italian, 1702–1786 · 1763–64

Standing Figure with Feathered Headdress
Artist not stated in the record · 12th–early 13th century

Lamp base from Mae's Millinery Shop
Artist not stated in the record · 1941-1994

The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo · 1760s

Pompe funèbre de Marie Thérèse d’Espagne Dauphine de France, en l’église de l’abbaye royale de St. Denis le V septembre M.D.CCXLVI
Charles-Nicolas Cochin the younger, French, 1715–1790 · 1756

Mantel clock with musical movement
Jean-Baptiste-André Furet · ca. 1784

Design for Elevation of an Altar Retable
Gilles-Marie Oppenord, French, 1672–1742 · ca. 1700
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 169 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 60 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 17:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.