OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Cabane De Pecheurs (Cotes de l'Italie)” — 55 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-06 01:49 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1622–23
Cabane De Pecheurs (Cotes de l'Italie)
Artist not stated in the record · 1876
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
Cochlearia danica L.
Artist not stated in the record · 5 May 1907
The Burning of Sodom (formerly "The Destruction of Sodom")
Camille Corot · 1843 and 1857
Bangia fuscopurpurea (Dillwyn) Lyngb.
Artist not stated in the record · 21 Jan 1962
Les Singuliers et Nouveaux Portraicts... page 41 (recto)
Federico de Vinciolo · 1588
Lecanora prominens Asta et al., nom. illeg.
Artist not stated in the record · 1 Jul 1974
Evening: Landscape with an Aqueduct
Théodore Géricault · 1818
Title Page, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Vue d'une partie du Palais des Cesars du côté de Campo Vaccino, batie par l'Empereur Caligula, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault · 1761
Plate 7, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Jalais Hill, Pontoise
Camille Pissarro · 1867
Plate 2, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Madonna and Child
Titian (Tiziano Vecellio) · ca. 1508
Plate 8, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume
Rosalba Carriera · 1730–31
Plate 10, from "Suite de Douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Two naked men, the sons of Noah, standing in profile facing right, both pointing
Marcantonio Raimondi · ca. 1500–34
Plate 12, from "Suite de Douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Seated Allegorical Figure of Divine Wisdom
Carlo Maratti · 1674–77
Plate 5, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Essempio di recammi, page 27 (verso)
Giovanni Antonio Tagliente · 1530
Plate 9, "Suite de douze Pêcheurs et Chasseurs"
Jean-Baptiste Pillement, French, 1728–1808 · 1771
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 15 matched · 15 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 619413 matched · 40 examined · 14 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 01:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.