OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Canopied Seat” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-02 22:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Canopied Seat
Artist not stated in the record · ca. 1500
La Couronnement de la Rosiere
Jean-Baptiste Huët, French, 1745–1811 · 1789–92
Triple Choir Stall with Canopy
Artist not stated in the record · 15th century
Interior of Walter's castle, stage design for act V of Giuseppe Verdi's "Luisa Miller," produced at Teatro San Carlo, Naples
Vincenzo Baldini, Italian, 1809 - 1881 · ca. 1849
Woman seated on iron garden seat with canopy
Ferdinand Kirchgessner · 1854
Cinquiéme Journée. Feu d’artifice sur le Canal de Versailles (Day Five. Fireworks on the Canal of Versailles)
Jean Le Pautre, French, 1618–1682 · 1676
Papier-mâché side chair
Artist not stated in the record · ca. 1830–60
The Production of Silk
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1590
Papier-mâché side chair
Artist not stated in the record · ca. 1830–60
Stage Design, Interior of Palace
Artist not stated in the record · early 19th century
Papier-mâché side chair
Artist not stated in the record · ca. 1830–60
Christ before Annas, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Papier-mâchè side chair
Artist not stated in the record · ca. 1830–60
Christ before Caiaphas, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Papier-mâchè side chair
Artist not stated in the record · ca. 1830–60
Thetis
Claude Gillot, French, 1673–1722 · 1729–37
Papier-mâchè side chair
Artist not stated in the record · ca. 1830–60
The Marriage Feast at Cana
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1589 or before
Gondola armchair
Artist not stated in the record · ca. 1830–60
Decorative Frame; verso: Frieze with Pageant
Artist not stated in the record · early 17th century
Joseph (from a group with the Adoration of the Magi)
Artist not stated in the record · ca. 1175–1200
Illustration for the Poem 'Ode on the Spring'
Thomas Gray, British, 1716 – 1771 · 1753
Sculpture of a Wise Man (from a Group with the Adoration of the Magi)
Artist not stated in the record · ca. 1175–1200
Title Page
Claude Gillot, French, 1673–1722 · 1749–61
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 73 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 15328 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 22:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.