OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Carlo Galli Bibiena” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-09-03 20:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Foreshortening of a Library
Carlo Galli Bibiena · 1728–78
Stage Design; Palace Court
Follower of Antonio or Carlo Galli Bibiena · late 17th century
Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape
Carlo Galli Bibiena · 1728–78
Stage Design: Oval Hall and Arcades
Carlo Galli Bibiena, 1721 – 1787 · ca. 1774
Design for a Stage Set with a Palace and Bridge
Carlo Galli Bibiena · 18th century
Stage Design: Garden Scene with Fountain, plate 8, part 5, from "Architetture e Prospettive dedicate alla Maestà di Carlo Sesto"
Artist not stated in the record · 1740–44
Varie opere di Prospettive
Ferdinando Galli Bibiena · 1703
Design for the Decoration of the ceiling of a chapel
Artist not stated in the record · 1725–1740
Architectural detail of an elaborate cornice, seen from below
Carlo Antonio Buffagnotti · 1680–1710
Costume Design: Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena
Artist not stated in the record · 1719
Ground Plan of the Catafalque for Anna Cristina, Wife of Carlo Emanuele II of Savoy
Giuseppe Galli Bibiena · 1696–1756
A "Forum"
Johann Andréas Pfeffel, German, 1674–1748 · 1740
Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy
Giuseppe Galli Bibiena · 1696–1756
Stage Design: Palace Interior
Giuseppe Galli Bibiena, Italian, 1696–1756 · 1700–1750
Sketch of a Palace Interior
Antonio Galli Bibiena · 1700–74
Stage Design; Palace Courtyard with Staircase
Artist not stated in the record · 18th century
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs
Antonio Galli Bibiena · 1700–74
Stage Design, Prison in Gothic Building
Artist not stated in the record · mid- 18th–late 18th century
Foreshortened or Trompe L'Oeil View of the Architecture Surrounding a Courtyard
Ferdinando Galli Bibiena · 1677–1743
Stage Design: Architectural Fantasy
Giuseppe Galli Bibiena, Italian, 1696–1756 · early 18th century
Stage Setting with Ballet
Ferdinando Galli Bibiena · 1657–1743
Stage Design: Palace Interior
Francesco Galli Bibiena, Italian, 1659–1739 · 1700–1750
Vaulted Hall with Candelabra
Ferdinando Galli Bibiena · 1675–1743
Stage Design: Vaulted Hall of a Palace
Giuseppe Galli Bibiena, Italian, 1696–1756 · ca. 1740
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 131 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 28830 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 20:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.