Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Carpet with Scrolling Vines and Blossoms” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-08-28 00:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Carpet with Scrolling Vines and Blossoms
Artist not stated in the record · ca. 1650

Fragment
Artist not stated in the record · 17th century

Carpet
Artist not stated in the record · 16th century

Frieze
Artist not stated in the record · 1905–1915

The Emperor's Carpet
Artist not stated in the record · second half 16th century

Band
Artist not stated in the record · 18th century

Carpet
Artist not stated in the record · late 16th–early 17th century

Band
Artist not stated in the record · 16th century

Blue-ground Carpet Fragment with Scrolling Floral Vines
Artist not stated in the record · 17th century

Border
Artist not stated in the record · 16th–early 17th century

Carpet with Palm Trees, Ibexes, and Birds
Artist not stated in the record · late 16th–early 17th century

Border
Artist not stated in the record · 19th century
Vase with Scrolling Vines
Artist not stated in the record · 17th century

Pillow cover
Artist not stated in the record · 16th–early 17th century

Vase Carpet
Artist not stated in the record · late 16th–early 17th century

Design for Title Page, "Occupations of Women and Their Compensation"
Alice Cordelia Morse, American, 1863–1961 · ca. 1899

The Anhalt Medallion Carpet
Artist not stated in the record · probably first half 16th century

Design for a Salt or Pepper Cellar
Giovacchino Belli, Italian, 1756 - 1822 · ca. 1800

Wall clock (cartel)
Etienne LeNoir · ca. 1735–40

Textile
Artist not stated in the record · 1700–1750

White Plum Blossoms and Moon
Itō Jakuchū · 1755

Carpet fragment
Artist not stated in the record · 1860–1870

Boiserie from the Hôtel de Varengeville
Artist not stated in the record · ca. 1736–52, with later additions

Textile
Artist not stated in the record · 1830–1850
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 649 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1524788 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 00:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.