OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Carte-de-visite of an unidentified Union soldier” — 64 records examined, 19 dropped by the rights gate.

Archives queried 2026-09-05 11:00 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, by Master of the Dinteville Allegory

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family

Master of the Dinteville Allegory · 1537

Public domainThe Met
Carte-de-visite of an unidentified Union soldier

Carte-de-visite of an unidentified Union soldier

Artist not stated in the record · 1862-1884

CC0 (public-domain equivalent)Smithsonian
The Crucifixion, by Master of the Codex of Saint George

The Crucifixion

Master of the Codex of Saint George · ca. 1330–35

Public domainThe Met
Carte-de-viste of a Buffalo Soldier

Carte-de-viste of a Buffalo Soldier

Artist not stated in the record · ca. 1880

CC0 (public-domain equivalent)Smithsonian
Margaret of Austria, by Jean Hey (called Master of Moulins)

Margaret of Austria

Jean Hey (called Master of Moulins) · ca. 1490

Public domainThe Met
Unidentified Union Soldier, by Unidentified Artist

Unidentified Union Soldier

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
Pendant mask of Ìyọ́bà Idià, by Ìgbèsànmwà (ivory- and wood- carving guild) artists

Pendant mask of Ìyọ́bà Idià

Ìgbèsànmwà (ivory- and wood- carving guild) artists · 16th century

Public domainThe Met
John Cooke Cox, by Unidentified Artist

John Cooke Cox

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
The Belles Heures of Jean de France, duc de Berry, by The Limbourg Brothers

The Belles Heures of Jean de France, duc de Berry

The Limbourg Brothers · 1405–1408/1409

Public domainThe Met
Carte-de-visite of a Buffalo Soldier from the 24th Infantry Regiment, by 24th Infantry Regiment, American, 1869 - 2006

Carte-de-visite of a Buffalo Soldier from the 24th Infantry Regiment

24th Infantry Regiment, American, 1869 - 2006 · ca. 1886

CC0 (public-domain equivalent)Smithsonian
[Union Cavalry Soldier with Pistol in Holster], by Tappin's Photograph Art Gallery

[Union Cavalry Soldier with Pistol in Holster]

Tappin's Photograph Art Gallery · 1861–65

Public domainThe Met
Carte-de-visite of a seated Buffalo Soldier

Carte-de-visite of a seated Buffalo Soldier

Artist not stated in the record · ca. 1880

CC0 (public-domain equivalent)Smithsonian
An Egyptian Peasant Woman and Her Child, by Léon Bonnat

An Egyptian Peasant Woman and Her Child

Léon Bonnat · 1869–70

Public domainThe Met
Frank B. Eaton, by Unidentified Artist

Frank B. Eaton

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
[Disabled Union Soldiers Posed in Aid of the U.S. Sanitary Commission at the New York Metropolitan Fair], by J. Gurney & Son

[Disabled Union Soldiers Posed in Aid of the U.S. Sanitary Commission at the New York Metropolitan Fair]

J. Gurney & Son · April 1864

Public domainThe Met
Wall, by Unidentified Artist

Wall

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
The Crucifixion; The Last Judgment, by Jan van Eyck

The Crucifixion; The Last Judgment

Jan van Eyck · ca. 1436–38

Public domainThe Met
Powell, by Unidentified Artist

Powell

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
Damascus Room

Damascus Room

Artist not stated in the record · dated 1119 AH/1707 CE

Public domainThe Met
Hughes, by Unidentified Artist

Hughes

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia)

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families

Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449

Public domainThe Met
M. Minturn, by Unidentified Artist

M. Minturn

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
The Crucifixion, by Jan Provoost

The Crucifixion

Jan Provoost · ca. 1495

Public domainThe Met
Allen, by Unidentified Artist

Allen

Unidentified Artist · n.d.a.

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 219 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 189 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-05 11:00 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.