Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 16 shown for “Carved amber bow of a fibula (safety pin)” — 64 records examined, 36 dropped by the rights gate.
Archives queried 2026-08-26 23:26 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Carved amber bow of a fibula (safety pin)
Artist not stated in the record · ca. 500 BCE

National Association of Letter Carriers Convention Badge
Artist not stated in the record · 1899

Bronze fibula (safety pin) with amber segment
Artist not stated in the record · 7th century BCE

Fork with Amber and Bone Figural Handle
Artist not stated in the record · ca. 1650

Amber from bow of a bronze fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Folk art model of a slave ship on stand
Unidentified · 1890-1950

Bone and amber segment from a bronze fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Heirloom Saxon violin and bow
Artist not stated in the record · 1820s - 1870s

Bronze fibula (safety pin) with amber segments
Artist not stated in the record · 7th–6th century BCE

Amber from bow of a bronze fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Amber from bow of a fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Bronze and amber fibula (safety pin)
Artist not stated in the record · 7th century BCE

Gold and amber fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Amber from bow of a fibula (safety pin) and additional element
Artist not stated in the record · 7th–6th century BCE

Bone and amber segment from a fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE

Segment from a bronze fibula (safety pin)
Artist not stated in the record · 7th–6th century BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 36 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3924860 matched · 40 examined · 36 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.4 shown
These figures describe the pass run at 2026-08-26 23:26 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.