Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Case (Inrō) with Design of Monkeys' Festival” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-09-03 17:47 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Wall clock (cartel)
Etienne LeNoir · ca. 1735–40

inro
Artist not stated in the record · 1875–1900
Case (Inrō) with Design of Monkeys' Festival
Artist not stated in the record · 18th–19th century

Netsuke
Artist not stated in the record · 19th century
Inrō with Street Festival (obverse); People Watching a Puppet Show (reverse)
Tatsuke Takamasu · second half of the 18th century

Inro
Artist not stated in the record · 19th century
Inrō with Gibbons in a Landscape
Kano Sukekiyo · early 19th century

Inro
Artist not stated in the record · ca. 1890

Inrō with Wisteria Trellis
Artist not stated in the record · mid-19th century

Medicine case (inro)
Artist not stated in the record · 1615-1868
Case (Inrō) with Design of Chinese Women at Court
Artist not stated in the record · late 18th–early 19th century

Medicine case (inro)
Ogawa Ritsuo (1663-1747) · late 17th-mid 18th century

Nécessaire with watch
Artist not stated in the record · probably ca. 1745–50

Medicine case (inro)
Artist not stated in the record · 18th-19th century
Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse)
Yamada Jōkasai (1681–1704) · second half of the 19th century

Medicine case (inro)
Artist not stated in the record · 18th-19th century

Inrō with Grapevine
Nomura Choheisai · second half of the 18th century

Medicine case (inro)
Ogawa Ritsuo (1663-1747) · early 18th century
Dragon-Handled Jug with Inscription
Artist not stated in the record · early 16th century

The Socratic Chimpanzee and the Shadow Baboon
Frederick Stuart Church, American, 1842–1924 · 1878

Case (Inrō) with Design of Bean Vine
Mochizuki Hanzan · 18th century

LE LAVEMENT RENDU
Christophe Huet, French, 1695 – 1759 · 1743

Case (Inrō) with Design of Clamshells and Fireflies
Koma Yasutada · late 18th century

LE PTISANIER
Christophe Huet, French, 1695 – 1759 · 1743
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 460 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2908745 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 17:47 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.