OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Case (Inrō) with Design of Sages Seated on Verandah, One holding a Fan” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-08-27 10:43 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Case (Inrō) with Design of Sages Seated on Verandah, One holding a Fan
Artist not stated in the record · 17th–18th century
Pleated fan and case
Artist not stated in the record · ca. 1740
Holy Family with an Angel
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) · ca. 1490
Pleated fan
Artist not stated in the record · 1750–1780
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Tintype of two seated men in wooden and velvet case
Unidentified · 1870s - 1890s
Qur'an Case
Artist not stated in the record · second half 15th century
Design for a Hand Fan (Right Plate)
Bellay, French, active from 1734 · ca.1734–37
Wall clock (pendule en cartel)
Jean Godde l'aîné · ca. 1740–45
Pleated fan
Artist not stated in the record · ca. 1760
Longcase clock
Hermann Achenbach · ca. 1774–75
Four Figures in a Fantastical Garden
Alexis Peyrotte, French, 1699–1769 · 1738–49
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
Hand Fan Design with a Chinoiserie Landscape and Ornament
Alexis Peyrotte, French, 1699–1769 · mid- 18th century
Case (Inrō) with Design of Chinese Sages Seated on Verandah
Artist not stated in the record · 17th–18th century
Designs for Ornament and Cases
Pierre Bourdon, French, ca. 1656 – 1708 after · ca. 1703
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
Peter Paul Rubens · ca. 1635
Nude Study of "Comedy" for Headband
Kenyon Cox, American, 1856–1919 · ca. 1895
Seated hollow figure with helmet
Las Bocas artist(s) · 1200–800 BCE
TAO KOU ou Religieuse de Tau à la Chine
Artist not stated in the record · 1731
Madonna and Child Enthroned with Two Angels
Fra Filippo Lippi · ca. 1440
Sketches for Portraits
Daniel Huntington, American, 1816–1906 · ca. 1880
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Design for a Painted Porcelain Plate, Les Liqueurs (Liqueurs) for the Services des Objets des Dessert (Dessert Service)
Jean Charles Develly, French, 1783 - 1849 · 1819–20
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 86 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3995721 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 10:43 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.