Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Case (Inrō) with Designs of Chrysanthemums and Bamboo-Woven Fence” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-27 19:05 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Case (Inrō) with Designs of Chrysanthemums and Bamboo-Woven Fence
Artist not stated in the record · ca. 1800

Noh robe
Artist not stated in the record · ca. 1800

Case (Inrō) with Design of Cicada on Tree Trunk
Artist not stated in the record · 18th century

Letter box
Artist not stated in the record · 19th century

Inrō with Geometric Pattern
Artist not stated in the record · first half of the19th century

Kimono
Artist not stated in the record · ca. 1800

Inrō Imitating an Old Chinese Ink Cake
Kanō Jukkyoku · 18th century

Box and cover
Artist not stated in the record · ca. 1830
Case (Inrō) with Landscape Design of Sumiyoshi Shrine
Kyūho · ca. 1800

Sleeve bands
Artist not stated in the record · 19th century
Inrō with the Queen Mother of the West (Seiōbo); Boy with a Peach (reverse)
Artist not stated in the record · mid- 19th century

Temple hanging
Artist not stated in the record · 13th century (bodhisattva), 18th–19th century (hanging)
Case (Inrō) with Design of Clematis Vine on Bamboo Lattice
Gion Nankai · 18th century

Textile
Artist not stated in the record · late 19th century

Metal Inrō with Flower Medallions
Artist not stated in the record · mid-19th century

Chair
George Jakob Hunzinger, 1835 – 1898 · ca. 1869
Case (Inrō) with Design of Leafy Grapevines (obverse); Chrysanthemum Spray (reverse)
Artist not stated in the record · 18th–19th century

Textile
Artist not stated in the record · 19th century

Inrō with God of Longevity (Jurōjin) and a Stag (obverse) and Long-Tailed Turtle (Minogame) under Bamboo (reverse)
Somada School Artist · late 18th–early 19th century

Cushion cover
Artist not stated in the record · 17th century

Inrō with Basket of Spring Flowers (obverse); Basket of Autumn Flowers (reverse)
Artist not stated in the record · late 18th–early 19th century

Minakuchi, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese, 1797–1858 · ca. 1834

Inrō with Grapevine
Nomura Choheisai · second half of the 18th century

Textile panel
Artist not stated in the record · late 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 426 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 19325 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 19:05 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.