OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Censer with Pierced Geometric Motifs” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-08-27 08:33 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Censer with Pierced Geometric Motifs
Artist not stated in the record · 12th century
Censer and Candelabrum Design
Richard de Lalonde, French, active 1780–96 · 1775-1788
Xantil (deity censer)
Eastern Nahua artist(s) · 1200–1521 CE
Two Candelabra Designs
Richard de Lalonde, French, active 1780–96 · 1775-1788
Pierced Window Screen (Jali)
Artist not stated in the record · early 17th century
Elevation of a Censer
Artist not stated in the record · 1780–1810
Pierced Bowl Signed by Hasan al-Qashani
Artist not stated in the record · late 11th–early 12th century
Censer
Artist not stated in the record · probably 18th century
Incense Burner
Artist not stated in the record · 12th century
Lampadaire
Jacques Valentin Fontaine, French, active 1740 – 1760 · 1742–55
Plate
Artist not stated in the record · 18th century
Censer
Artist not stated in the record · 1730–60
Damascus Room
Artist not stated in the record · dated 1119 AH/1707 CE
Panneau avec son lambris
Juste-François Boucher, French, 1736 – 1782 · ca. 1775
Bursa Reliquary
Artist not stated in the record · 10th century
Cheminée à la Moderne
Juste-François Boucher, French, 1736 – 1782 · ca. 1775
Frontal Plate from a Shaffron (Horse's Head Defense)
Artist not stated in the record · 16th–17th century
Design for a Table with a Vase at its Base
Juste-François Boucher, French, 1736 – 1782 · ca. 1775
The Garden of the Tuileries on a Spring Morning
Camille Pissarro · 1899
Plan et Elévation Géometral d’une Porte Cochere
Jean Mansart de Jouy, French, 1705 - 1783 · mid- 18th–late 18th century
Pyxis Depicting Standing Saints or Ecclesiastics and the Entry into Jerusalem with Christ Riding a Donkey
Artist not stated in the record · mid-to late13th century
"Western Star"
William Ridgway & Co., Staffordshire, England, 1830 - 1848 · mid-19th century
Pair of Rowel Spurs
Artist not stated in the record · 19th century
Sidewall
Artist not stated in the record · 1905–1915
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 24 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 267523 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 08:33 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.