OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Champlevé furniture or cosmetic box plaque with a winged youth” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-28 04:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Champlevé furniture or cosmetic box plaque with a winged youth
Artist not stated in the record · ca. 8th–7th century BCE
Chasse with Saints and Angels
Artist not stated in the record · 16th century
Champlevé furniture or cosmetic box plaque with a griffin and a floral frieze
Artist not stated in the record · ca. 9th–8th century BCE
Rookwood
Rookwood Pottery, American, 1880 - 1967 · 1903–13
Cloisonné furniture plaque with two griffins in a floral landscape
Artist not stated in the record · ca. 8th century BCE
Four Continents
Artist not stated in the record · ca. 1770
Plaque
Artist not stated in the record · ca. 8th–7th century BCE
Four Continents
Artist not stated in the record · ca. 1770
Furniture or cosmetic box plaque carved in relief with a striding bull
Artist not stated in the record · ca. 9th–8th century BCE
Four Continents
Artist not stated in the record · ca. 1770
Cloisonné furniture or cosmetic box plaque with three frontal heads
Artist not stated in the record · ca. 8th–7th century BCE
Four Continents
Artist not stated in the record · ca. 1770
Furniture or cosmetic box plaque carved in the round with striding bull
Artist not stated in the record · ca. 8th–7th century BCE
Plaque
Thomas Bentley, English, 1730 – 1780 · ca. 1778
Glove tray
M(?).B. · 1723–24
Casket
Artist not stated in the record · 19th century
Furniture plaque carved in relief with a winged female figure and a “sacred tree”
Artist not stated in the record · ca. 9th–8th century BCE
Designs for Two Frames
Richard de Lalonde, French, active 1780–96 · 1780
Openwork furniture plaque with a male youth
Artist not stated in the record · ca. 8th–7th century BCE
Arabesque Design
Michel, French, active 18th century · 1780-1784
Openwork furniture plaque with winged sphinx
Artist not stated in the record · ca. 9th–8th century BCE
Clock
Antoine-Andre Ravrio, French, 1759–1814 · 1807–10
Furniture plaque carved in relief with winged figures, locust, and monkey
Artist not stated in the record · ca. 9th–8th century BCE
Trophy awarded to the Texas Southern University Debate Team
Artist not stated in the record · 1967
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 70 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2012209 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 04:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.