OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Chariot Procession” — 64 records examined, 13 dropped by the rights gate.
Archives queried 2026-09-01 20:11 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Attendants in a Procession
Artist not stated in the record · ca. 1347–1330 BCE
A Chariot Procession
Artist not stated in the record · ca. 1800
Bronze ornament from a chariot pole
Artist not stated in the record · 1st–2nd century CE
Chariot Procession
Artist not stated in the record · ca. 1795
Chariots with Court Ladies
Artist not stated in the record · ca. 1347–1330 BCE
Border
Artist not stated in the record · 17th century
Horses Harnessed to a Chariot
Artist not stated in the record · ca. 1347–1330 BCE
Allegory of the Triumph of the Church, Fourth Scene
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before
Terracotta neck-amphora
Artist not stated in the record · early 7th century BCE
Allegory of the Triumph of the Church, Second Scene
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before
The Chariot Procession of Neptune, Held on May 28th, from an Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine
Epifanio d'Alfiano · 1589–92
Drawing
Felice Giani, Italian, 1758–1823 · About 1813
The Triumph of Marius
Giovanni Battista Tiepolo · 1729
Frieze of a Mural for the Rosewell P. Flower Memorial Library, Watertown, New York
Leon Dabo, American, 1868–1960 · 1904
Limestone sarcophagus: the Amathus sarcophagus
Artist not stated in the record · 2nd quarter of the 5th century BCE
Allegory of the Triumph of the Church, Third Scene
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before
Terracotta krater
Hirschfeld Workshop · ca. 750–735 BCE
VUE PERSPECTIVE DE LA PLACE DE LOUIS LE GRAND
Jean François Blondel, French, 1681–1756 · 1751
Terracotta kylix: hybrid Siana lip-cup (drinking cup)
C Painter · ca. 560 BCE
Char de l'Hymen.
Jean François Blondel, French, 1681–1756 · 1751
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi · ca. 1510–20
Terminal chock from a chariot
Artist not stated in the record · 5th-4th century BCE
The Stalled Procession
Claude Gillot
Ceiling of a Small Cabinet, Palazzo Quirinale, Rome
Felice Giani, Italian, 1758–1823 · 1812
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 53 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 8580 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 20:11 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.