OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Chariot Yoke Ornament in the Shape of a Recumbent Doe” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-09-05 04:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Chariot Yoke Ornament in the Shape of a Recumbent Doe
Artist not stated in the record · 5th–4th century BCE
Ornament Design
Jean-Bernard Turreau, French, 1672 - 1731 · 1716-19
Bronze chariot inlaid with ivory
Artist not stated in the record · 2nd quarter of the 6th century BCE
Ornament Design with Apollo on his Chariot
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1748
Hermann von Wedigh III (died 1560)
Hans Holbein the Younger · 1532
Char de la Ville
Jean François Blondel, French, 1681–1756 · 1751
The Harvesters
Pieter Bruegel the Elder · 1565
Triumph of Apollo and Aurora
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1585–1590
Virgin and Child with the Young Saint John the Baptist and Angels
François Boucher · 1765
Ornament Design
Jean-Bernard Turreau, French, 1672 - 1731 · 1716-19
The Collector of Prints
Edgar Degas · 1866
Design for brooch with round diamond
Artist not stated in the record · 16th century
Chariot Yoke Ornament in the Shape of a Doe
Artist not stated in the record · ca. 4th century BCE
Drawing
Felice Giani, Italian, 1758–1823 · 1810-1820
Chariot Yoke Ornament in the Shape of a Doe
Artist not stated in the record · 4th century BCE
Panel Design of Grotesque Ornamentation
Jean Berain, the elder, French, 1640-1711 · 1711
Chariot Yoke Ornament in the Shape of a Doe
Artist not stated in the record · 4th century BCE
Design for a Public Monument to be Erected on a Paris Square
Jean-Pierre-Louis-Laurent Houël, French, 1735–1813 · ca. 1802
Portrait of a Woman
Quinten Massys · ca. 1520
Terracotta Panathenaic prize amphora
Leagros Group · ca. 510 BCE
Column Capital and Head of a Camel, as-Samu, Palestine
Frederic Edwin Church, American, 1826–1900 · February 15-17, 1868
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Design for a Door and Doorcase
Giuseppe Barberi, Italian, 1746–1809 · ca. 1780
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 210 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7484577 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 04:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.