OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Charles Joseph Hullmandel, British, 1789–1850” — 41 records examined, 5 dropped by the rights gate.
Archives queried 2026-09-03 11:32 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Frances Wright of Nashoba
Charles Joseph Hullmandel · ca. 1830
Pavillon de Flore Tuileries
Charles Joseph Hullmandel, British, 1789–1850 · 1839
Repas de Corps. Epoque Mémorable de 1821
Charles Joseph Hullmandel · 1821
Notre Dame, Paris from the Quai Saint Bernard
Charles Joseph Hullmandel, British, 1789–1850 · 1839
The Strand
Thomas Shotter Boys · 1842
Fish Market, Antwerp
Charles Joseph Hullmandel, British, 1789–1850 · 1839
Byloke, Ghent
Thomas Shotter Boys · 1839
St. Etienne du Mont and the Pantheon, Paris
Charles Joseph Hullmandel, British, 1789–1850 · 1839
Doorway, Temple Church (Frontispiece)
Thomas Shotter Boys · 1842
Title Page, "Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc."
Charles Joseph Hullmandel, British, 1789–1850 · 1839
Piccadilly Looking Towards the City
Thomas Shotter Boys · 1842
Fisherman from Gaëta, Italy
Charles Joseph Hullmandel, British, 1789–1850 · 1800–1825
Tour de Remy, Dieppe
Thomas Shotter Boys · 1839
Fishing Boat at Italian Lake
Charles Joseph Hullmandel, British, 1789–1850 · 1811
The Horse Guards &c. from St. James's Park
Thomas Shotter Boys · 1842
The Passing of the Queen
Charles Joseph Hullmandel, British, 1789–1850 · 1837
Mr. Young as Iago
John William Gear · ca. 1824
Mo-hon-go
John William Gear, 1806 - 1866 · 1838
![The Coal Waggon [sic.], by Théodore Géricault](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP874611.jpg&w=3840&q=75)
The Coal Waggon [sic.]
Théodore Géricault · 1821
RED JACKET. SENECA WAR CHIEF.
McKenney and Hall, 1836-1844 · ca. 1837-1844
Entrance to the Adelphi Wharf
Théodore Géricault · 1821
PUSH-MA-TA-HA. CHACTAN WARRIOR, from History of the Indian Tribes of North America
McKenney and Hall, 1836-1844 · ca. 1837-1844
Horses going to a Fair
Théodore Géricault · 1821
MO-HON-GO. OSAGE WOMAN., from History of the Indian Tribes of North America
McKenney and Hall, 1836-1844 · ca. 1837-1844
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 24 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 17 matched · 17 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 11:32 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.