Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Chasse with Christ in Majesty and Apostles” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-08-28 13:46 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Chasse with Christ in Majesty and Apostles
Artist not stated in the record · ca. 1190–1200

Byzantine-Style Mosaic Necklace with Christ and Twelve Apostles
Unidentified (Murano, Venice, Italy) · 1870s-1910s

Chasse with the Crucifixion and Christ in Majesty
Artist not stated in the record · ca. 1180–90

St. Christopher Apostle Spoon
Artist not stated in the record · 19th century

Chasse of Champagnat
Artist not stated in the record · ca. 1150

Christ Appearing to the Apostles at the Sea of Gallilee (Lake Tiberias), the Miraculous Draught of Fishes
Jacob Jordaens, Flemish, 1593 - 1678 · ca. 1650–1670

Virgin and Child in Majesty
Artist not stated in the record · ca. 1175–1200

The Last Judgment
Cornelis Visscher, Netherlandish, 1629-1658 · ca. 1650

Chasse with Christ in Majesty and the Lamb of God
Artist not stated in the record · ca. 1180–90

Agony in the Garden
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580 – 1595

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona · 1434

The Incredulity of St. Thomas by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1840

Reliquary Casket with the Deesis, Archangels, and the Twelve Apostles
Artist not stated in the record · 950–1000

Christ on the Mount of Olives (Agony in the Garden), from the Great Passion
Artist not stated in the record · ca. 1498

Six Apostles from Retable
Artist not stated in the record · late 14th century

Embroidered picture
Artist not stated in the record · 18th century

Christ Blessing, Surrounded by a Donor Family
German Painter · ca. 1573–82

Design for a Candlestick
Artist not stated in the record · early 19th century

Chasse
Artist not stated in the record · 13th century (core); 19th century or later (enamels)

Design for a Baptismal Font
Giuseppe Barberi, Italian, 1746–1809 · ca. 1775

Christ Healing the Blind
El Greco (Domenikos Theotokopoulos) · ca. 1570

Sampler
Artist not stated in the record · 1715

Apostles in Prayer
Artist not stated in the record · ca. 1400–1410

Going Down to Gethsemane
Johannes Adam Simon Oertel, Furth, Germany 1823-died Vienna, VA 1909 · 1898
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 343 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7482038 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 13:46 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.