OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Chasse with Christ in Majesty and the Lamb of God” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-28 13:48 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Chasse with Christ in Majesty and the Lamb of God
Artist not stated in the record · ca. 1180–90
Sampler
Artist not stated in the record · ca. 1760
Tankard engraved with scenes of the Great Plague and the Great Fire of London
I N · 1675/76
Adoration of the Shepherds
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1585 – 1605
Chasse of Champagnat
Artist not stated in the record · ca. 1150
Sampler
Artist not stated in the record · 1820
Chasse with the Crucifixion and Christ in Majesty
Artist not stated in the record · ca. 1180–90
Sampler
Artist not stated in the record · 1799
Virgin and Child in Majesty
Artist not stated in the record · ca. 1175–1200
Holy Trinity with the Dead Christ in Glory after Palma Giovane; Adoration of the Magi, Study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · 1810–20
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona · 1434
![The Infant John in the Wilderness accompanied by Angels [above]; Virgin and Child with Saint Catherine and Saint Barbara [below], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-9276_01-000001.jpg&w=3840&q=75)
The Infant John in the Wilderness accompanied by Angels [above]; Virgin and Child with Saint Catherine and Saint Barbara [below]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580 – 1605
Lintel with Angels Supporting the Lamb of God
Artist not stated in the record · 1150–75
Fragment
Artist not stated in the record · 16th–17th century
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Sampler
Artist not stated in the record · 1752
The Virgin and Child in Majesty and the Adoration of the Magi
Master of Pedret · ca. 1100
Embroidered picture
Artist not stated in the record · 18th century
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte) · ca. 1590
Project for a Fresco in the Dome of the Cathedral in Citta di Castello
Tommaso Maria Conca, Italian, 1734 – 1822 · 1789–90
Chasse with Christ in Majesty and Apostles
Artist not stated in the record · ca. 1190–1200
Chinese Gallery As It Was, Plate XV in Illustrations of Her Majesty's Palace at Brighton...Printed by T. Sutherland, Frederic Lewis, Robert Havel Jr., and M. Dubourg. Published by J. B. Nichols and Son, London, England, 1838.
John Nash, 1752 – 1835 · 1820
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Artist not stated in the record · 1500–1520
The Last Judgment
Cornelis Visscher, Netherlandish, 1629-1658 · ca. 1650
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 497 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483970 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 13:48 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.