OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Chez Basset, French” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-09-01 19:04 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
L'art de former les jardins modernes, ou, L'art des jardins anglois : traduit de l'anglois : à quoi le traducteur a ajouté un discours préliminaire sur l'origine de l'art, des notes sur le texte, & une description détaillée des jardins de Stowe, accompagnée du plan
Charles Antoine Jombert · 1771
Con Vois Hollandois
Chez Basset, French
Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté
La Veuve Hérissant · 1784
Vuë de l'entrée du Port de l'Orient (View of Entrance to Oriental Port)
Chez Basset, French
The Destruction of the Royal Statue at New York on July 9, 1776
Anonymous, French, 18th century · ca. 1776
Vue de la Mer de Harlem en Hollande (View of the Harlem Sea in Holland)
Chez Basset, French
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Anonymous, French, 18th century · ca. 1778
The Kiss Accepted
Artist not stated in the record · 1760–1780
La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York)
Anonymous, French, 18th century · 1776–77
The Kiss Returned
Artist not stated in the record · 1780–1790
Oeuvres
J. B. Fay · [about 1785]
L'Escadre Verte ayant été accueilli d'une Violente Tempéte dans la riviere de St. Laurent (The Green Squadron, having been met with a Violent Storm in the St. Lawrence River)
Artist not stated in the record
Tabernacle of Cherves
Artist not stated in the record · ca. 1220–1230
Two Trophy Designs
Jacques Ignace de Latouche, French, 1694 – 1781 · ca. 1750
Virgin and Child
Claus de Werve · ca. 1415–19
Two Trophy Designs
Jacques Ignace de Latouche, French, 1694 – 1781 · ca. 1750
The French Comedians
Antoine Watteau · ca. 1720
Two Trophy Designs
Jacques Ignace de Latouche, French, 1694 – 1781 · ca. 1750
A Knight of the d'Aluye Family
Artist not stated in the record · after 1248–by 1267
Two Trophy Designs
Jacques Ignace de Latouche, French, 1694 – 1781 · ca. 1750
Lord-tolan prenant sa leçon de dance, La Passions, No. 7
Basset · 19th century
Two Trophy Designs
Jacques Ignace de Latouche, French, 1694 – 1781 · ca. 1750
L'Arivée du Courier (The Arrival of the Messenger)
Jacques Firmin Beauvarlet · 18th century
Plan Coupe et Elévations d’une Melonnière éxécutée des chez Mr. J.B. Paulée à Douay, dépt. Du Nord, d’après les Déssins de Mr. Belanger fils
Jean-Charles Krafft, French, 1764 - 1833 · 1812
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 886 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 81197 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 19:04 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.