OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Christ before Caiaphas, from The Little Passion Series” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-02 21:29 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Crucifixion
Pietro Lorenzetti · 1340s
Christ before Caiaphas, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Triptych with Scenes from the Passion of Christ
Master Pertoldus · 1494
Christ before Annas, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Adoration of the Magi
Giotto di Bondone · possibly ca. 1320
Christ before the People (Ecce Homo), from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Folding Devotional Shrine with Scenes from Christ's Passion
Artist not stated in the record · ca. 1350
Christ before Pilate, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Christ before Pilate; The Resurrection
Ludwig Schongauer
Christ before Herod, from The Little Passion Series
Artist not stated in the record · 1509
The Lamentation
Scipione Pulzone (Il Gaetano) · 1593
Christ Taking Leave of His Mother, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers · 1405–1408/1409
Christ Crowned with Thorns, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Marriage Feast at Cana
Juan de Flandes · ca. 1497
Noli me Tangere (Christ Appearing to Mary Magdalen), from The Little Passion Series
Artist not stated in the record · 1509–11
Plaque with Christ Before the High Priest Caiaphas
Artist not stated in the record · ca. 1150–75
Christ Before Pilate, from series The Passion of Christ
Artist not stated in the record · ca. 1480
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Christ Washing the Feet, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
The Mocking of Christ, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Harvesters
Pieter Bruegel the Elder · 1565
Christ Driving the Merchants (or Money Changers) from the Temple, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 172 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1440121 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 21:29 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.