OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Claude Audran III” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-29 00:07 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Design for the Decoration of a Ceiling
Claude Audran III
Septembre (Sous le protection de Vulcan); Octobre (Sous le protection de Minerve et de Mars) from the suite Les mois grotesques
Claude Audran III, French, 1658 - 1734 · 1726
Portiere with the Chauvelin arms from a set called a Chancellerie
Claude Audran III · designed 1679 and 1700, borders ca. 1720, woven 1728–30
Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
Le Soleil Au Signe du Lyon
Jacques Roussin, Lyon · 1623
Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight)
Manufacture Nationale des Gobelins · designed 1727–55, woven April 1752–Dec. 24, 1754
Designs for Gobelins Tapestry, April (Les Mois Grotesques par Bandes)
Claude Audran III, French, 1658 - 1734 · 1709–10
Children and Satyr Children Sporting with a Goat
Clodion (Claude Michel) · ca. 1781
Design for a Coffin
Thomas Germain, French, 1673 – 1748 · late 17th–early 18th century
Children and Satyr Children with a Pantheress and Her Cubs
Clodion (Claude Michel) · ca. 1781
Cristaria multifida Cav.
Artist not stated in the record · Transcribed d/m/y: /10/27
Youth
Claude Gillot · n.d.
Sphaeralcea obtusiloba G. Don
Artist not stated in the record · Oct 1924
Adolescence
Claude Gillot · n.d.
Indet. sp.
Artist not stated in the record · Oct 1927
The Passion for Wealth
Claude Gillot · n.d.
Haplopappus deserticolus Phil.
Artist not stated in the record · Oct 1927
The Passion for Love
Jean Audran · n.d.
Encelia canescens Lam.
Artist not stated in the record · Oct 1927
The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from "The lives of satyrs" (La vie des satyres)
Claude Gillot · ca. 1700–20
Medicago arborea L.
Artist not stated in the record
The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from "The lives of satyrs" (La vie des satyres)
Claude Gillot · ca. 1700–20
Nardophyllum lanatum (Meyen) Cabrera
Artist not stated in the record · Dec 1925
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 156 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 23403 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 00:07 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.