Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 18 shown for “Clay jar sealing impressed faintly with name of Khasekhemwy” — 64 records examined, 34 dropped by the rights gate.
Archives queried 2026-09-03 22:50 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Clay jar sealing impressed faintly with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Bamboo Bridge at Buga, Colombia and Girl Carrying a Jar, Cartago, Colombia
Frederic Edwin Church, American, 1826–1900 · July 1853

Clay jar sealing impressed faintly with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Miniature Chest of Drawers containing Plaster Seal Impressions
Artist not stated in the record · 1840–1860

Clay jar sealing impressed faintly with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Tea ceremony water jar
Eiraku Hozen 永楽保全 (1795-1854) · 1827-1843

Clay jar sealing impressed with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Building brick from Bethune-Cookman University's White Hall
Unidentified · ca. 1916

Clay jar sealing Clay jar sealing impressed with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Kyoto ware jar with design of phoenixes and paulownia crests
Artist not stated in the record · late 17th century

Clay jar sealing Clay jar sealing impressed with name of Khasekhemwy
Artist not stated in the record · ca. 2650 B.C.

Tile
J. & J. G. Low Art Tile Works, 1877 – 1883 · late 19th century

Sealed Amphora Containing Oil
Artist not stated in the record · ca. 1491–1473 BCE

Seal impression
Artist not stated in the record · ca. 1328–1318 BCE

Sealing naming Nesisti, a priest in the cult of Arsinoe II and her sister Philotera
Artist not stated in the record · 210–180 BCE

Cylinder seal and modern impression: hunting scene
Artist not stated in the record · ca. 2250–2150 BCE

Fragmentary Seal Impression from Tutankhamun's Embalming Cache
Artist not stated in the record · ca. 1328–1318 BCE

Jar sealing impressed with name of Queen Neithhotep
Artist not stated in the record · ca. 3100 B.C.
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 119 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7474437 matched · 40 examined · 34 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.6 shown
These figures describe the pass run at 2026-09-03 22:50 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.