OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Corbel with Fore Portion of Beast with Bone” — 52 records examined, 11 dropped by the rights gate.
Archives queried 2026-08-28 20:50 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Corbel with Fore Portion of Beast with Bone
Artist not stated in the record · ca. 1150–1200
Chrysops harmani
Artist not stated in the record · 13 May 1970
Corbel with Five Interlaced Hair-Pulling Acrobats
Artist not stated in the record · ca. 1150–1200
Architectural Corbel – Orléans
Arnold William Brunner, American, 1857–1925 · 1883
Corbel with a Pair of Beard-Pulling Acrobats
Artist not stated in the record · ca. 1150–1200
ÉLEVATION D’UNE CHEMINÉE
A. Le Canu, French, active 1746 – 1768 · 1768
Corbel with Female Figure with Clasped Hands
Artist not stated in the record · ca. 1150–1200
Pleated fan
Artist not stated in the record · late 18th century
Corbel with Animal Mask of Wolf
Artist not stated in the record · ca. 1150–1200
Fragments
Artist not stated in the record · ca. 1246
Corbel with Two Men with Legs in the Mouth of Two Beasts
Artist not stated in the record · ca. 1150–1200
Brisé fan
Artist not stated in the record · early 19th century
Corbel with Bearded Figure with Pinecone-Like Objects
Artist not stated in the record · ca. 1150–1200
Table cover
Artist not stated in the record · 18th century
Corbel with Two Men with Fingers in Mouths
Artist not stated in the record · ca. 1150–1200
Cockade fan
Artist not stated in the record · ca. 1850
Diptych with the Coronation of the Virgin and the Crucifixion
Artist not stated in the record · ca. 1340–60
Design for a Hanging Sacristy Cupboard
Artist not stated in the record · ca. 1800
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Project for a Window Case
Artist not stated in the record · 1650–1700
Ceremonial Handle (?)
Artist not stated in the record · 7th–9th century
Design for a Pediment with Balcony Above
Thomas Germain, French, 1673 – 1748 · late 17th–early 18th century
"Study of a Nilgai (Blue Bull)", Folio from the Shah Jahan Album
Mansur · verso: ca. 1620; recto ca. 1540
Design for a Lantern on a Gondola
Unknown, Italian · mid-18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 12 matched · 12 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2903596 matched · 40 examined · 11 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 20:50 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.