OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Corded quilt” — 57 records examined, 34 dropped by the rights gate.
Archives queried 2026-08-28 18:24 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Corded quilt
Artist not stated in the record · ca. 1700
Quilt
Artist not stated in the record · early 18th century
Stuffed and corded quilt
Artist not stated in the record · ca. 1835
Quilting
Artist not stated in the record · 1700–1750
Stuffed and corded quilt
Artist not stated in the record · ca. 1845
Fragment
Artist not stated in the record · early 18th century
Corded crib quilt
Artist not stated in the record · ca. 1700
La Danseuse de Corde
Petitpierre et Cie, Nantes, France, 1770–1848 · 1785–90
Stuffed and corded crib quilt
Artist not stated in the record · ca. 1835
Black velvet quilted jacket with gold trim by Jay Smith
Jay Smith, American, 1942 - 1986 · ca. 1982
Wholecloth whitework quilt
Sarah Cook · ca. 1800
Black silk velvet mantle with cording
B. Altman and Company, 1865 - 1989 · 1880s
Stuffed quilt
Artist not stated in the record · ca. 1750–1800
Quilt
Artist not stated in the record · 15th century
Quilt, pieced
Artist not stated in the record · ca. 1850
Green cap with veil and feathers
Artist not stated in the record · 1950s
Dressing jacket
Artist not stated in the record · 1725–50
Evening coat from the collection of Lucy Cordice
Unidentified · 1870-1900
Quilt, Marseilles type
Artist not stated in the record · ca. 1800–1820
U.S. Army M-1879 junior officer's dress coat worn by John Hanks Alexander
John G. Haas, American · ca. 1890
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London · July–December 1809
Saddle
Artist not stated in the record · ca. 1570–80
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 17 matched · 17 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 8410 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-28 18:24 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.