OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Correggio (Antonio Allegri)” — 64 records examined, 31 dropped by the rights gate.
Archives queried 2026-08-26 18:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri) · ca. 1515
The Virgin and Child Adored by Saints Jerome and Mary Magdalene
Artist not stated in the record · 1586
Study of Four Saints
Correggio (Antonio Allegri) · 1525–34
Portrait of Antonio Allegri (called Correggio) (1494-1535)
Artist not stated in the record · ca. 1820
The Adoration of the Magi
Correggio (Antonio Allegri) · ca. 1517
Madonna and Child with an Angel
Giovanni Marco Paluzzi, Italian, 1655-1690 · late 17th century
The Annunciation
Correggio (Antonio Allegri) · ca. 1522–25
Madonna and Child
Unidentified (Italian) · 19th century
Venus, recumbent on a shell, surrounded by sea gods
Anonymous · 1520–1600
Madonna and the Infant, St. Jerome, Mary Magdalene and Angels, after Correggio
Felice Giani, Italian, 1758–1823 · 1818
Mary Magdalene in penitence in the desert
Giuseppe Longhi · ca. 1810
Venus and Cupid and Satyr, Study after Correggio
Felice Giani, Italian, 1758–1823 · 1813–18
The Virgin and child with two angels
Andrea Scacciati · 1766
St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....
Felice Giani, Italian, 1758–1823
The Holy Family with Saint John the Baptist
Friedrich Fleischmann · 1810–34
Acicarpha tribuloides Juss.
Artist not stated in the record · 13 Sep 1950
The rest on the flight into Egypt
Francesco Brizio · 1600–23
Antonio Pastor
José María Mora, c. 1847 - 18 Oct 1926 · c. 1875
Ecce Homo
Agostino Carracci · 1587
Virgin and Child, with Saints Jerome and Mary Magdalene and angels
Anonymous · 17th century
The Annunciation, with Gabriel at left and the Virgin at right
Benigno Bossi · 1784
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 58 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 36817 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-08-26 18:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.