OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Crispijn de Passe the Younger” — 64 records examined, 1 dropped by the rights gate.

Archives queried 2026-09-04 04:09 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Portrait of a woman as a shepherdess, by Crispijn de Passe the Younger

Portrait of a woman as a shepherdess

Crispijn de Passe the Younger · 1635-40

Public domainThe Met
Discord: The Good and the Bad Household, by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Discord: The Good and the Bad Household

Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · 1589

CC0 (public-domain equivalent)Smithsonian
Struggle over the Flemish Milch-Cow, by Crispijn de Passe the Younger

Struggle over the Flemish Milch-Cow

Crispijn de Passe the Younger · 1646

Public domainThe Met
Sense of Smell, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith), by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Sense of Smell, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)

Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · ca. 1580

CC0 (public-domain equivalent)Smithsonian
Meleager and Atalanta, by Crispijn de Passe the Younger

Meleager and Atalanta

Crispijn de Passe the Younger · first quarter 17th century

Public domainThe Met
Sense of Sound, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith), by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Sense of Sound, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)

Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · ca. 1580

CC0 (public-domain equivalent)Smithsonian
The Colonist René de Laudonnière Sablais, after van de Passe, by Charles Meryon

The Colonist René de Laudonnière Sablais, after van de Passe

Charles Meryon · 1861

Public domainThe Met
Sense of Sight, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith), by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Sense of Sight, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)

Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · ca. 1580

CC0 (public-domain equivalent)Smithsonian
Manuel Osorio Manrique de Zuñiga (1784–1792), by Goya (Francisco de Goya y Lucientes)

Manuel Osorio Manrique de Zuñiga (1784–1792)

Goya (Francisco de Goya y Lucientes) · 1787–88

Public domainThe Met
Sense of Taste, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith), by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Sense of Taste, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)

Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · ca. 1580

CC0 (public-domain equivalent)Smithsonian
Path over a Valley, by Crispijn de Passe the Elder

Path over a Valley

Crispijn de Passe the Elder

Public domainThe Met
1c Captain John Smith plate proof

1c Captain John Smith plate proof

Artist not stated in the record · 1907

CC0 (public-domain equivalent)Smithsonian
Benedikt von Hertenstein (born about 1495, died 1522), by Hans Holbein the Younger

Benedikt von Hertenstein (born about 1495, died 1522)

Hans Holbein the Younger · 1517

Public domainThe Met
Album of Architectural Prints, by François de Cuvilliés the younger, German, 1731 - 1777

Album of Architectural Prints

François de Cuvilliés the younger, German, 1731 - 1777 · ca. 1770

CC0 (public-domain equivalent)Smithsonian
The Harvesters, by Pieter Bruegel the Elder

The Harvesters

Pieter Bruegel the Elder · 1565

Public domainThe Met
Les Plans de Falquensloust, by François de Cuvilliés the younger, German, 1731 - 1777

Les Plans de Falquensloust

François de Cuvilliés the younger, German, 1731 - 1777 · 1770

CC0 (public-domain equivalent)Smithsonian
Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman, by Aelbert Cuyp

Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman

Aelbert Cuyp · ca. 1652–53

Public domainThe Met
Little Crow the Younger, by Joel Emmons Whitney, 19 May 1822 - 1886

Little Crow the Younger

Joel Emmons Whitney, 19 May 1822 - 1886 · 1862

CC0 (public-domain equivalent)Smithsonian
Noah kneeling before God at left, the construction of the ark underway beyond, from "Liber Genesis", by Crispijn de Passe the Elder

Noah kneeling before God at left, the construction of the ark underway beyond, from "Liber Genesis"

Crispijn de Passe the Elder · 1612

Public domainThe Met
Fontaine executé dans une Niche de Charmille, by François de Cuvilliés the younger, German, 1731 - 1777

Fontaine executé dans une Niche de Charmille

François de Cuvilliés the younger, German, 1731 - 1777 · 1770

CC0 (public-domain equivalent)Smithsonian
Saint Anthony, Saint John the Baptist, and Saint Elizabeth, by Crispijn de Passe the Elder

Saint Anthony, Saint John the Baptist, and Saint Elizabeth

Crispijn de Passe the Elder · 1582–1637

Public domainThe Met
Upper Plate: Essai de Balustres dans le gout Antique, by François de Cuvilliés the younger, German, 1731 - 1777

Upper Plate: Essai de Balustres dans le gout Antique

François de Cuvilliés the younger, German, 1731 - 1777 · 1770

CC0 (public-domain equivalent)Smithsonian
Mankind surrendering to lechery before the Flood: embracing couples on benches around a table with food and drink, from "Liber Genesis", by Crispijn de Passe the Elder

Mankind surrendering to lechery before the Flood: embracing couples on benches around a table with food and drink, from "Liber Genesis"

Crispijn de Passe the Elder · 1612

Public domainThe Met
Distribution du Plan de la Retraitte, by François de Cuvilliés the Elder, Belgian, 1695 - 1768

Distribution du Plan de la Retraitte

François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1770

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 79 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 1762104 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-04 04:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.