OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Crouching Venus” — 51 records examined, 15 dropped by the rights gate.
Archives queried 2026-09-02 07:07 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Crouching Venus
Giambologna · 17th century
The Study of Czarina Alexandra Feodorovna
Josef Sotira, Austrian, active in Austria and Russia, 1830 – 1840 · 1835
Crouching Venus
Giambologna · 17th century
Decorative Motifs
Romolo Achille Liverani, Italian, 1809 - 1872 · 1810
Crouching Venus
Artist not stated in the record · second half 18th century
Venus Comb Murex, Venus comb shell
Artist not stated in the record
Crouching Venus
Artist not stated in the record · late 17th–early 18th century
Venus Guiding Eneas and the Trojans to the Latin Shore (Torso of Venus)
William Page, born Albany, NY 1811-died Staten Island, NY 1885 · ca. 1857
Venus Crouching
Albrecht Altdorfer
Venus Guiding Eneas and the Trojans to the Latin Shore (study of Venus)
William Page, born Albany, NY 1811-died Staten Island, NY 1885 · ca. 1857
Venus crouching by a plinth on top of which stands Cupid
Marcantonio Raimondi · ca. 1510–27
Fountain; elevation of a church
Giuseppe Barberi, Italian, 1746–1809 · 1792–1795
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500
Venus Complains to Jupiter
Antonio Salamanca, Italian, ca. 1500 - 1562 · mid-16th century
Scene with a Warning Against Venereal Disease in a Circle at Center
Theodor de Bry · 1580–1600
Venus, from The Seven Planets
Hans Sebald Beham, German, 1500–1550 · 1539
Hermaphrodite
Giovanni Francesco Susini · 1639
Venus and Cupid
Felice Giani, Italian, 1758–1823 · 1800–1815
The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500
Gnidia Venus, Gnidia Venus, Gnidia Venus
Artist not stated in the record · 1971
Woman Bathing in a Shallow Tub
Edgar Degas · 1885
Crouching Female Nude
James Wells Champney, American, 1843–1903 · ca. 1890
Wallpaper Design: Reconciliation of Venus and Psyche
Merry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–1851 · 1815
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 11 matched · 11 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.11 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1944 matched · 40 examined · 15 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 07:07 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.